SWA Complete ReVoice Pro 3 TUTORiAL

SYNTHiC4TE | June 05 2015 | 1.02 GB

The first of our 11 in-depth videos on Revoice Pro 3 introduces you to Synchro Arts’ amazing vocal harmonizer/doubler and explains the core functionality of its standalone application and new accompanying plugin. We then lay out the details of RP3’s audio manipulation processes, before getting into the tutorial proper with a tour of the main application’s interface. In videos 4 and 5, we demonstrate the use of RP3 to manipulate one audio file in relation to another, and reveal the locations and operational specifics of further functions. Moving on, the Reprocessing and Extra Operations videos (6 and 7) explore the modification of a processed audio file and the mixer control buttons, while video 8, Structuring Tracks and Projects, looks at the software’s various project settings and track organisation options. Finally, in videos 9, 10 and 11, we show you how to time-stretch audio using RP3’s warp editing points and make manual pitch corrections.

GRM Tools Complete v3.3 MAC OSX

OPENSSH | 26.05.2015 | 205 MB

AU VST RTAS STANDALONE

Find the three GRM Tools bundles in one pack: GRM Tools Evolution, GRM Tools Classic & GRM Tools Spectral Transform. After the fabulous GRM Tools Classic (8 plugins) and Spectral Transform (4 plugins) , the new Evolution bundle (3 plugins) brings a new world of sound design and novel harmonic processing : evolving vocoder and morphing, filter delays, timbre glissandi, noising, etc. …

VSL English Horn – Symphonic Cube Complete NCW

P2P | 21.05.2015 | 1.27 GB

Completely ripped Symphonic Cube .gig files. The idea was simple; since the .gig files contained grouped patches, I decided to turn individual .gig files into Kontakt patches and patches inside the .gig files into keyswitches. The naming was kept original – if the .gig file was named EH_LONG-NOTES now the patch is called that and the GUI is displaying the original names of the patches from that .gig file now serving as keyswitches. Completely ripped is an exaggeration, because the keyswitches would have been too wide had I ripped everything inside – the release samples had to be sacrificed as well as all combinations in order to keep the keyswitches in order. The naming conventions can be explored in the manual. The patches are using Nils Liberg’s Xfade script (not provided here) which is disabled by default. Also prebuffer size is set to 6kB as this was meant for SSDs.

Diamond Violas and Cellos Complete KONTAKT

Team KRock | May 19 2012 | 3.80 GB

Diamond is a very large full-orchestral package. Simply put, Diamond combines Ruby with Emerald, so it is like getting 2 complete orchestras in one package. This is complete Violas and Cellos from Strings Section of Diamond Symphony Orchestra.

Diamond Strings Combinations KONTAKT

Team KRock | May 22 2012 | 1.51 GB

Diamond is a very large full-orchestral package. Simply put, Diamond combines Ruby with Emerald, so it is like getting 2 complete orchestras in one package. This is complete Combinations from Strings Section of Diamond Symphony Orchestra.

Diamond Percussion Complete KONTAKT

Team KRock | May 21 2012 | 1.60 GB

Diamond is a very large full-orchestral package. Simply put, Diamond combines Ruby with Emerald, so it is like getting 2 complete orchestras in one package. This is complete Percussion Section from Diamond Symphony Orchestra.

Complete Guide to Glitch Hop Production with Maschine

P2P | 09.01.2015 | 1.1 GB

Glitch Hop. With a career spanning from classic Drum & Bass to the cutting edge of electronic music, and with releases on various labels in the UK, Germany and the US, as well as a wealth of class-based teaching experience in a number of colleges, Defazed is ideally suited to teach the skills necessary to make quality music with Native Instruments’ Maschine. Throughout the lessons, Defazed breaks down a Glitch Hop track into its components, analysing the beats, bass and glitch elements, and demonstrating how to build up a track and give it the characteristic ambience. In addition, he takes you through Massive, showing his techniques for creating hard-edged bass patches and building chord sequences, whilst discussing the merits of wavetable synthesis. As well as synthesising, there’s also a demonstration of classic bass resampling techniques, showing how to produce gnarly-sounding, D&B style bass.