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dB-M is an mastering tool for fine-tuning the dynamics and loudness of your mix. If you’ve heard of the benefits of multi band processing, but don’t understand how it works, then give dB-M a try. The graphical interface shows you exactly what the multi band algorithm is doing, in realtime. There are far fewer controls to worry about than on most multiband processors.
Sidechain Compressor is a flexible VST/AU compressor plug-in. It can be used as a regular channel strip compressor for clean crisp compression & limiting across a wide range of mixing jobs (e.g. adding punch to drum tracks or presence to vocals). For additional flexibility, the sidechain controls (Lo Cut/Hi Cut/Shape) let you customise the compression response.
Sidechain Gate lets you perform clever mixing techniques, by using a source track to gate a destination track. For example, you can use a complex hi-hat pattern in one track to rhythmically gate a synth pad in another track. Or simplify a busy bass guitar by gating it from a kick drum track (so the bass guitar is only heard when the kick drum sounds). What’s more, Sidechain Gate is easy to use, and works in almost any audio software package – even those that do not directly support side-chaining***. It only takes a few mouse clicks and you’re up and running!
EARebound is a full-featured multi-delay plug-in which has been designed to meet a specific need : to quickly create rhythm lines from percussive sounds recorded in various environments (natural, urban, industrial, …). Recording these sounds, processing them through (carefully selected) effects in order to obtain multiple versions of them, loading and mapping them in a sampler, placing them in space, … takes a considerable amount of time and can be an obstacle to spontaneous creativity. In addition, even if we are satisfied with the results after hours of hard work, this rhythmic grail cannot be easily modified, as we would like, during live situations.
Vandelay provides three separate delays in as many frequency regions. Each delay has an LFO that modulates the pitch of the audio stream. Together with tempo based delay times and feedback control you can create a very rich sound from almost any source. Sporting a clever, responsive and intuitive user interface, Vandelay is easily controlled and you will almost certainly get the hang out of it in minutes!
Tines emulates an electric piano. With internal effects like a stereo tremolo, a multiband distortion panel and a subtle roomy reverb, Tines can sound like anything between a dreamy slick Rhodes to a nasty Wurlitzer (however, it is not designed to be a ”vintage” emulation, but a modern and playable instrument). A fine-tuned velocity curve makes Tines a true joy to play on a MIDI keyboard.