Originally created for a vinyl transfer console, this EQ has then been used for both mixing and mastering thanks to its super musical curves.
EQ84 is the simulation of one of the most renowned Discrete Class A British EQ, used in countless hits from the ‘70s to nowadays. All the components of the original circuit have been modeled, including the rich harmonics and saturations that naturally occur when the equalizer is operating.
DOPAMINE is the emulation of two classic tape encoding processors, used as enhancers. It is designed to revive individual tracks as well as complex mixes while preserving their natural tone. DOPAMINE does not introduce unpleasant artefacts like the exciters do: in fact it dynamically balances the harmonics that naturally exist in the original audio rather than generating non-existent harmonics by synthesizing them.
G8 takes dynamic sound shaping to the next level. Deceptively simple, G8 is a tool that reaches far beyond what any normal noise gate can do. While it does a great job at the usual tasks of rejecting noise and shaping transients, the MIDI in/out and alternate gating modes offered by G8 open a world of possibilities that let you forget you’re even using a ‘Gate’. Use G8 to create dynamic rhythm patterns on sustained sounds; trigger an envelope on G8 with MIDI input or use it to trigger notes on a MIDI instrument; produce interesting fractal sequences and auto-panning effects with Delay and Output Reject. With Cycle Mode and One-Shot, you can create dramatic motion with G8’s envelope, reducing the time value of the envelope to mere milliseconds, resulting in AM synthesis. The four-channel input in the Expert Mode of G8 allows for complex in-DAW routing of different levels and types of content. G8 can split the amplitude of a single source, allowing you to route two different characteristics of your sound to different tracks – the Mains and the Reject.
No other plugin has the comprehensive ability to manipulate pitch and time like Fault. Whether used at mixdown to fortify weak tracks or in sound design to totally mangle instruments beyond recognition, Fault’s applications are limited only by your imagination. With over 100 factory presets included – featuring settings from contributing artists like Richard Devine and Scott Kirkland from The Crystal Method – finding creative inspiration with Fault is fun and engaging. Three main processors power Fault’s comprehensive spectral control. Dual-channel Pitch Shifters musically retune sounds up or down as much as a full octave, in steps as small as 0.1 semitone. The stereo Frequency Shifter can be modulated by precision FM controls to create beautiful and discordant sounds alike. Stereo Delays use cross-channel feedback and filters to add immersive depth. And if that weren’t enough, every control knob and switch setting can be itself controlled dynamically by up to eight powerful and flexible modulators, two of which are brand new in version 1.1: Step Sequencer, and ROLI Lightpad (for seamless integration with ROLI’s latest MIDI controller hardware).
It’s time to go deeper with your sound – way deeper. Sure, you’ve made your tracks sound nice – balanced the levels, added just the right EQ – maybe you even performed all the music. But that’s only the beginning. You want to get inside those waveforms, to tinker and explore, to realize your track’s potential and draw out a sound that had only existed between your ears. It’s time to get to know Dent 2. The original Dent was a different kind of distortion plugin, made for every engineer and sound designer who had ever longed to manipulate the waveform on a molecular level. Now, with the release of Dent 2, audio control freaks rejoice, because Unfiltered Audio has gone subatomic. We’re talking about a let’s-sharpen-the-peaks-on-the-negative-half-of-the-waveform level of control! So if you’re looking for sweet analog hardware emulation, you better look elsewhere, because the mad scientists at Unfiltered are digital to their core, and they know exactly how to turn those ones and zeros into magic.
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