42 Releases from OPENSSH, R2R, P2P, SYNTHiC4TE, MAGNETRiXX, AUDIOSTRiKE 25-26 May 2015…(Important Plugins Inside)….
ARTA – program for the impulse response measurement and for real-time spectrum analysis and frequency response measurements. You can read ARTA as Audio Real Time Analysis, and also as Art for Audio
Explore the noise reduction and audio restoration possibilities—for both music and post production—in RX 4 and RX 4 Advanced. Expert covers all of the best and latest features of RX 4, demonstrating techniques for fixing audio problems in a variety of situations. He’ll show how to reduce noise, connect with a DAW such as Pro Tools or Logic Pro, and use advanced features such as EQ Match, Ambience Match, and the utility modules for resampling, retiming, and pitching audio.
26 Releases, P2P, SYNTHiC4TE, DiSCOVER, AUDIOSTRiKE 1-2 May 2015…
Softube not only ported the classic Summit Audio TLA-100A compressor to the UAD platform, but they improved on it! UAD guru Brock Jon shows you exactly what they did, and how to make the most of it! Beginning with an overview of the Summit Audio TLA-100A, Brock explores each control of the plug-in, and explains the new features and functionalities. Next, Brock goes into practical applications of the Summit Audio TLA-100A using the song “Oak Island” by Dave Keats. You’ll then see how to apply the Summit Audio TLA-100A to Drums, Bass, Acoustic Guitars, and Vocals, as well as how to apply the TLA-100A to the Master Buss. If you’re already familiar with the UAD version and or the original hardware, and are looking for new techniques, watch “UAD Summit Audio TLA-100A Explained” today!
Professional audio bietet durch Produktvergleiche und im eigenen Testlabor durchgeführte Produkttests eine fundierte Kaufberatung für Musiker und Toningenieure, vom anspruchsvollen Amateur bis hin zum Semiprofi und Profi. Ausführliche News-Strecken, umfangreiche Marktübersichten, Reportagen, Workshops und Interviews ermöglichen einen umfassenden Überblick über neue Trends und Produktangebote.
Fully integrated elastic audio was introduced in Pro Tools version 7.4 and gave editors the time-saving advantage of being able to change an audio file’s tempo or timing in real time without the need to render the audio. In Pro Tools 8: Time Manipulation with Elastic Audio, author Brian White shows how to adjust tempo, change pitch, and quantize audio tracks with elastic audio. This course covers auto-conforming audio loops and regions to a session’s tempo, enabling elastic audio on tracks, and using the five elastic audio plug-ins to extract as much fidelity as possible from the source material.
