ISL 2 v2.x.x.x WiN MAC

TEAM R2R | 09.09.2024 | WiN: 6 MB | OSX: 50.7 MB

..: AU, VST, VST3, RTAS, AAX :..

Real Time True Peak Limiter

World class, broadcast quality limiting is an essential requirement for any audio production, and the latest standards also demand true-peak compliance. ISL delivers both, giving you superb sound with complete confidence about meeting the standards. No need to second guess your sample-peak limiter time and again, or deliberately increase headroom to avoid a downstream problem. Just dial in your true-peak limit and let ISL take care of the rest.

ReValver v5.0.4 CE WiN

Team V.R | 07 August 2024 | 323MB

..: AAX*, VST3, VST2, STANDALONE :..

ReValver is a fifth generation guitar amp sim & analog electronics modeler for Mac and PC. ReValver® models guitar amplifiers, stompboxes and effects at the component level, resulting in unmatched realism, dynamics and tone. ReValver’s RIR 2 Cabinet Modeling takes convolution cabinet modeling to another level while ACT (Audio Cloning Technology)™ allows incredible instrument modeling on the input and tone matching on the output. ReValver can also load clones created in our ACT Combo module, making ReValver virtually unlimited. Expand ReValver even further by hosting 3rd party VST/AU plugins within the software. Take ReValver to the live stage with full MIDI control and GIG Mode for seamless switching between presets. ReValver is available as a stand alone program or as an AAX, VST2, VST3 or AU plug in. ReValver 5 also adds amp and FX models line of modeling pedalboards.

Audio Science Online TUTORiALs

P2P | 01 August 2024 | 14 GB

Audio Toolbox v12.1.0 WiN

RETAiL | 11 July 2024 | 158 MB

9 powerful and useful audio program in one pack, which including Audio Recorder , Audio Cutter, Audio Joiner, Audio Converter, Video to Mp3,ID3 Tag Editor,Transfer to iTunes,CD

Audio Compression The Complete Course

FANTASTiC | 18 March 2024 | 485 MB

Compressors are the most misunderstood and mysterious audio mixing tools. But, without them, none of your favourite songs would sound like they sound. For production, recording, mixing or mastering, it’s essentiel, even mandatory to understand and know how to use compression to reach professional and high quality results.

Automation With Python Programming

P2P | 11 May 2024 | 462 MB

Welcome to the Python Audio Automation course, where we dive deep into the world of audio processing and manipulation using Python programming. Throughout this course, you’ll learn how to automate various audio tasks, from cutting and converting audio files to enhancing playback speed and merging multiple audio tracks seamlessly. Explore advanced effects like echo, reverb, and noise removal to elevate the quality of your audio recordings. Discover techniques for adjusting volume, applying fade-in/out effects, and even reversing audio playback direction. Additionally, we’ll delve into the fascinating realm of text-to-speech conversion, enabling you to generate audio files with both male and female voices from text inputs. Learn how to extract text from images, download audio from YouTube videos, and convert videos into audio files effortlessly. Finally, explore the power of Python for audio feature extraction and analysis, opening up new possibilities for understanding and processing audio data. Join us on this immersive journey into Python audio automation and unleash the full potential of your audio projects!

Audio Drumulator Plus KONTAKT

DiSCOVER | 21 MARCH 2015 | 14 MB

The Drumulator was pretty much an instant hit for E-mu. It aimed squarely at the territory of the Linn drum, but was far more affordable. Real-time sequencing was coupled with onboard samples in wonderfully dense, gritty 12-bit quality, and the samples themselves were the crowning glory: twelve great-sounding kit pieces which defined the sound of countless hits. Hell, you could even chain the thing up to an Apple II for visual editing and sequence programming, which made it feel a bit like a Fairlight. It was a technological marvel of its time. Housed in a sturdy great wedge of powder-coated steel, the Drumulator came with no MIDI and no way of expanding its onboard sounds. Luckily, though, the EPROMS housing its samples are fairly readily accessible, and with a bit of effort, a screwdriver, and some replacement chips, you can upgrade your Drumulator to embrace lots of sounds that weren’t ever part of its factory spec. Pumped out through those classic D-to-A converters, these can sound fantastic.