Smasher v1.5.4 MAC

GUiSEPPE | 04 June 2025 | 34.2MB

PLATFORM: (AU, VST3, 64Bit)

Smasher is an unprecedented custom modification of the classic Urei 1176 compressor circuit, a unique formula that we stumbled upon while fine-tuning other algorithms. The original 1176 compressor hardware offered a selection of four ratios, but studio engineers soon discovered that pressing them all at once led to a distorted, explosive and highly compressed sound. It’s this “All buttons in” or “British” mode that Smasher was painstakingly designed to recreate. While remaining very close to the original circuitry, the modifications we’ve built into Smasher will add definition to transients and make your tone more aggressive. We love using it to enhance the ambience in drum busses, but there are many more creative uses too. Smasher won’t work on every single track, but where it does, it works magic. Smasher excels at raw and gritty sounds, calling to mind bands like Vulfpeck, The Whitefield Brothers and The Black Keys.

Echorec v1.7.4 MAC

GUiSEPPE | 01 June 2025 | 160 MB

The Echorec is a software emulation of the iconic echo/delay unit of the same name produced by the Italian brand Binson in the 1960s. The sound of this magnetic disk delay differs from the tape delays used at the time, and has largely contributed to the audio signature of many 70s bands: Pink Floyd, The Shadows, Jimmy Page etc. Vintage Echorec devices are known for their saturation, self-oscillation, and oversound, all shaping the music produced in the 70s. They are also, however, known to be fragile and difficult to maintain.

DRC v1.0.0 ARM macOS

GUiSEPPE | 28 May 2025 | 55 MB

DRC is a powerful new dynamic processor plug-in inspired by the legendary DBX 118. With a fresh perspective on the classic concept, DRC offers advanced processing capabilities that are seldom found in contemporary hardware or software, making it an essential tool for modern music production. While the DRC draws inspiration from the DBX 118, it is not a direct emulation of the original hardware. Instead, it re-imagines and expands upon the original concept, incorporating additional features to enhance its utility in various audio processing scenarios. This unique approach allows users to harness both compression and expansion across the entire dynamic range of the signal. Additionally, the processor can isolate and handle signals above or below the threshold, providing a more refined level of control.

Valvekult 3 vN4355 ARM macOS

MORiA | 23 July 2025 | 58.4 MB

..: AU | VST3 | AAX* :..

Valvekult 3 – The British Tube Enhancer Plugin. Experience an amplified frequency response, enriching your audio with unparalleled clarity and precision. Valvekult V3 is the embodiment of Edgy Sonic Enhancement, enhancing the depth and character of your mixes and tracks with natural analog-style harmonics. The Richness of Thermionic Tubes. Nothing matches the musical enhancement of genuine tube harmonics. From gentle warmth to overdriven fury—like a 200-watt stack pushed to its limits—our topology delivers the full spectrum of valve coloration. Pristine clarity at <0.2% THD or rich harmonic saturation. Three distinct valve configurations with infinite variations. Smooths digital harshness while adding natural analog depth.

Apple Motion v5.9.0 macOS

TNT | 15 November 2024 | 2.76 GB

Another must have plugin if you use Final Cut Pro! Enjoy.

Today, 12 November Apple has updated all the pro video and audio apps. Final Cut Pro updates 10.5, Motion to 5.5 and Compressor to 4.5. A few new features for FCP, but all will now run on Apple silicon! We list ALL the new features. With Big Sur out, it wasn’t going to be long before the pro apps got their huge dual binary update so they could run on the new Apple silicon. Motion is a software application produced by Apple Inc. for their Mac OS X operating system. It is used to create and edit motion graphics, titling for video and film production, and 2D and 3D compositing for visual effects. The Motion interface has been redesigned specifically for Final Cut Pro editors, with a familiar look and feel that makes it easy to switch between the two applications. A new single-window layout puts all the tools you need at your fingertips, and redesigned icons make it easy to identify options at glance. The darker look of the new interface is designed to enhance color perception as you work with any combination of video, stills, and motion graphic elements. Many filters now include onscreen controls for direct, intuitive manipulation of effects. And keyframe editing is much more accessible thanks to a new view that displays the Keyframe editor below the timeline.

Deco Plugin v1.0.0 MAC

GUiSEPPE | 28 June 2025 | 37.42MB

Tape: The First Effect

While modern recording engineers and producers are used to the huge variety of effects options available these days, tape machines were the first devices used in the recording studio as effect processors. From echo and flanging to the warmth and saturation of the actual tape itself, the entire early history of music would sound completely different if these recording decks weren’t employed in this way. Even though there are currently a number of plugins that emulate entire tape machines down to the smallest degree, the Deco plugin stands alone as the only piece of software that accurately recreates the studio workflow of two tape decks working in tandem. It is the timed/speed relationship between these two decks that creates the phasing, true tape flanging, chorus, echo and double tracking effects that the Sun Studios and Abbey Roads of the world relied on for all of those famous early tracks, and it’s now available in an easy-to-use and utterly convincing plugin.

Cloudburst v1.0.1 ARM macOS

Team GUISEPPE | 26 May 2025 | 34 MB

Beyond The Clouds

Cloudburst produces some of the most gorgeous ambient reverb tones and soundscapes you’ve ever heard, including a whole range of captivating sounds never previously available from a plugin. But how could a reverb plugin deliver something truly new? The answer is Cloudburst’s breakthrough Ensemble engine.