All samples features featured are created. Only the bass sounds are featured in this pack. The other samples will be available in upcoming sample packs.
We took it up a notch this time and got ourselves into a few exclusive studios that contained very rare synthesizers & hardware. We took these vintage instruments and once again tied in the modern day hip hop style to create something unique. Inside Millactic 3 is a large variety of sounds, vocals, and warm authentic & melodic loops. Some of the sounds you’ll hear being used come from the rare Oberheim OB-Xa which you cant find new for under $5,000. So in other words you are bond to find some loops and sounds inside of this pack that will help you stand out
“Big Synths vol.2” is pure analog sound, Techno synth Leads, hooks, and riffs with unique sounds all across the board. This collection delivers rich, deep, aggressive and warm tones perfect for throbbing Techno and Tech House stompers. Techno Synths that are both dark, smooth and heavy ready to be used for your next Techno anthem. All Loops come with and without kick drum to offer wide versatility to the producer. Featuring over 886MB of Wav 24-bit Stereo Loops. All Loops are 125bpm and key labeled.
Easy & Creative Tone: Toned-MAX is a versatile digital equalizer plugin with analog modeling. Although Toned-MAX can be used creatively on individual tracks, it shines at mastering and bus tracks. More than a basic EQ, Toned-MAX includes many different visual features for monitoring the signal, and controls for shaping the output.
Created with authentic vintage instruments and hardware effects along with a mixture of analog and digital synthesizers.
Analog gear simulation with a unique & efficient spectral saturation algorithm. REAMP is a complex spectral saturation processor, simulating a set of different analog gear in a new and unique way. Benefits of this algorithm is that it is highly CPU efficient and adds (almost) no latency. The seven models available are based on real analog gear, individually measured in two dimensions; gain responses (-inf dB to +6 dB) at the frequency spectrum 20Hz to 20kHz. This data is used to transform input audio to output audio. A four-band spectral drive allows you to let the unit work even more. With several models available, REAMP can be used on almost any type of audio in any genre. The character can span from lo-fi to professional high-end gear. One approach can be to put it on a bus, or a whole mix. Another is to put it on several tracks with a more subtle setting, which makes the essence of the simulated gear add up.
“Regardless of what genre of music you create, you’re most likely incorporating some type of percussion element to your creations. Kicks, snares and hi-hats are the obvious choice, but what about the other ‘stuff’. The miscellaneous, like congas, sticks, metallic blips & toms. This is where ‘All Analog Percussion’ comes in! Here, I’ve created a collection of Miscellaneous percussion one-shots, all created using analog hardware equipment and signal generators. I’ve tweaked and molded every LFO wave, altered pitch/decay + dampening on every single sound, which means this is a collection you’ve never heard before. From punchy tom drums, to round congas, sticks with various pitch, and a variety of metallic sounds (some more feisty than others..) & so much more (179 sounds, wow!) this collection is an absolute must have.”
