• ABJ v4.0.1 WiN MAC-P2P
    May 17th, 2025 ⚡

    ABJ v4.0.1 WiN MAC-P2P

    ABJ v4.0.1 WiN MAC

    P2P | 17 May 2025 | WiN+MAC: 5.2 GB

    …: STANDALONE, AU, VSTi, VST3, AAX, x64 :…

    ABJ aim to bring the Fender Jazz Bass sound to your studio.

    Sampling: 2709 Samples, Size: 3.71 GB, 24bit 44.1khz, DFD(Direct from disk), Rich Fingering Noise – more vivid and realistic, Each Cycle & Rhombic Sampling structure – Separate sample cycle for each note and vel layer to improve sample utilization, Sustain, Palm Mute, Natural Harmonic, Hammer On & Pull Off, Legato Slide, Slide in & out, Slapping, Popping, Tapping, Accentuated, Staccato, Dead Note 14 articulations, Legato at random length & pitch & poly.


    Viewed 69460 By Music Producers & DJ´s.


  • Rhino v1.7.5 AAX STANDALONE VST3 x64 WiN-TCD

    .:Rhino v1.7.5 WiN:.

    TCD | 17 May 2025 | 17.4MB

    Rhino: Cross the borders of guitar sound

    PLATFORM: STANDALONE/VST3/AAX(MOD)/x64

    A compact yet advanced guitar plugin. From a delicate, clean tone to the heaviest wall of sound filling the whole mix. We’re advancing a proven formula, focusing on a design that enables you to achieve a wide spectrum of sound in a single plugin. Control every aspect of the signal from the main view and dial in each parameter with expanding sections.


    Viewed 31509 By Music Producers & DJ´s.


  • Pulsar W495 v1.2.0 AAX VST2 VST3 x64 WiN-R2R

    Pulsar W495 v1.2.0 WiN

    Team R2R | 25 October 2024 | 21.2MB

    An accurate emulation of the Neumann w495 3-band EQ. Neumann w495 EQ’s were used to master 90% of the vinyl records manufactured from the 1970s to the 1990s. But even after this golden age, many mastering engineers still love this EQ. Why? Because the w495 has wide equalization curves that can be pushed to ridiculous levels while remaining musical. The w495 is an easy-to-use tone shaper for individual tracks. But It can also enhance presence and depth of an entire mix. But we’ve taken Pulsar W495 even further, adding all the key features you would expect from a modern EQ plugin, including visual curve editing for a fast workflow. From channel EQ to mastering EQ, Pulsar w495 is an easy-to-use powerful tone shaper, faithfully emulated from an iconic 3 band EQ.


    Viewed 49538 By Music Producers & DJ´s.


  • Locness v2 v3.5.0 AAX VST3 x64 WiN-R2R
    May 15th, 2025 ⚡
    Categories:

    Locness v2 v3.5.0 AAX VST3 x64 WiN-R2R-MaGeSY

    Locness 2 v3.5.0 WiN

    Team R2R | 16 November 2024 | 32.4 MB

    PLATFORM: x64 – VST3/AAX

    Drums…, the most crucial part of of your mix that can make or break a track. For decades pro engineers have used various combinations of compressors, pre-amps ,eq’s and saturation to make styles of sounds that stand out. Not just a compressor or eq, Loc-Ness is the mystical plugin that brings all the right controls and colors for drums to your workstation . This is a dedicated channel designed for processing Individual Drum Hits, The room sound, and the entire drum bus.


    Viewed 95487 By Music Producers & DJ´s.


  • Invigorate v1.3.10 AAX VST2 VST3 x64 WiN-R2R

    Invigorate v1.3.10 WiN

    Team R2R | 15 November 2024 | 4.8MB

    Add life to your tracks

    Here’s a little secret: compression, limiting, and overdrive are all the same thing—and all of them can be used to add energy and excitement to your music. Invigorate is a deconstructed compressor, limiter, and overdrive distortion fine-tuned to add life to your mix, drum bus, or any other element. The intuitive design allows you to effortlessly morph from pumping compression, through hard-hitting limiting, to rich distortion while dialing in the perfect sound with the prominent MIX control. The result is guaranteed to bring your mix forward and make it sound bigger.


    Viewed 125217 By Music Producers & DJ´s.


  • Polaris v1.8.1 AU VST AAX x86 x64 WiN MAC-RET

    Polaris v1.8.1 WiN MAC

    Team RET | 13 August 2021 | WiN+OSX: 18.6 MB

    Polaris is an echo/reverb plugin inspired by early hardware digital reverbs of the late 1970s and able to provide echo, ambience and reverb out of a single multitap delay line. When hardware digital reverbs came out to the market they were really expensive. Most manufacturers were already exploiting chains of comb and allpass filters (smoother reverbs, but expensive in both resources and chips), there were other techniques involving the use of a single multitap delay line to create a reasonable reverb while keeping the cost affordable. That idea is so simple yet powerful: you mix a bunch of unmodulated taps (Early Reflections) with the remaining modulated taps (Diffusion) to create a cheap but convincing reverb.


    Viewed 39982 By Music Producers & DJ´s.


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