The Hoser v1.1.0 WiN MAC

TEAM R2R | 6 July 2022 | WiN: 3.58 MB | MAC: 9.92 MB

..:: AU VST2 VST3 RTAS AAX x86 x64 ::..

The Hoser is the little brother to The Hoser XT. Same algorithm in a compact stereo/mono only format.The second in the series of David Bendeth signature plugins. Modeled off of a vintage Canadian hardware EQ unit, The Hoser makes a great channel channel EQ to give that cohesive feel to your mixes. The Hoser takes advantage of some of the benefits of working in the digital domain, all while staying true to the analog sound. It is really the best of both worlds.

HoserXT v1.1.0 WiN MAC

Team R2R | 6 July 2022 | WiN: 6.78 MB | OSX: 18.29 MB

PLATFORMS : WiN32/64 – VST/VST3/AAX | MAC – AU/VST/VST3/AAX

The Hoser takes advantage of some of the benefits of working in the digital domain, all while staying true to the analog sound. It is really the best of both worlds.

Imperial Delay v1.5.11 WiN MAC

TEAM R2R | 6 July 2022 | WiN: 3.62 MB | MAC: 18.17 MB

WiN32/64: VST/VST3/RTAS/AAX | MacOSX: AU/VST/VST3/RTAS/AAX

Imperial Delay was designed from the beginning with two goals: Be the most powerful delay, and be easy to use. As it turns out, those two requirements tend to be at odds with each other. Some delays give you lots of control but require you to get out your lab coat and calculator in order to use it. Other delays sound great with only a couple knobs, but give you almost no options. Imperial Delay does both. Every option that you would need in a delay is available at the twist of a single knob. If you need more control over those effects, you can enter the advanced controls and experiment to your heart’s content.

The Wall v1.x.x WiN MAC

TEAM R2R | 6 July 2022 | WiN: 3.65 MB | OSX: 7.89 MB

x86 x64, VST, VST3, RTAS, AU, AAX Native

The Wall is is a brick wall limiter designed with one thing in mind: Make your mixes loud without screwing up your mix. No matter what side of the loudness wars you’ve decided to plant yourself on, the need to make mixes loud for clients isn’t going away any time soon. Sending your clients home with a mix that is just as loud as the professional mixes they are used to hearing is an important part of any mixing engineer’s job. But nothing drives me more insane than listening to all my hard work turn to garbage when pushing the mix loud. That’s why we made this plugin. We wanted a mastering limiter that lets you push your mixes loud and still keep the punch in your drums and keep your tonality intact.

L.A Plugins Bundle v2.0.0 WiN MAC

Team R2R | 15 Feb 2019 | WiN: 67.4 MB | MAC: 73.09 MB

WiN32/64 – VST/VST3/AAX(MODiFiED) | MacOSX – AU/VST/VST3

The Lindell ChannelX bundle is more than your typical bundle. While on one level it is a collection of three amazing Lindell plugins, the 7X-500 limiter, the PEX-500 EQ and the 6X-500 preamp, it also includes the ChannelX plugin shell which allows you to run all three plugins in a single insert and even change the order that they appear in the signal path. Start off with the 6X-500 preamp to add a bit of punch and color, then add some tasty vintage FET compression with the 7X-500 limiter and then dial in some sweetness with the Pultec inspired PEX-500 EQ.

FAST Limiter v1.0.0 WiN

ARTiCTORM | 29 July 2022 | 97.98 MB

REFINE AND RELEASE, INSTANTLY

FAST View gives you the best sound easily, with AI doing the heavy lifting and setting parameters unique to your track’s characteristics. Keep in the creative flow and instantly change how FAST Limiter influences your track’s sound with the choice of three unique flavours; Modern, Neutral, or Aggressive. Looking to capture the sonic characteristics of your favourite artists? Use Reference Mastering to recreate those qualities and adjust the parameters in Detailed View to cater the sound to your own track.

Deflector v1.0.3 WiN

Team R2R | 01 May 2022 | 5.67 MB

There seem to be two types of mix engineers: those who own a pair of the original units this plug is inspired by, and those who want to. I can’t give you the original, but I can give you my twisted take on it. For starters, I tweaked the distortions to make them fuzzier, because I have a fondness for dirt & grime. I added a 250Hz sidechain HPF option which leaves all bass frequencies uncompressed, as well as a 6kHz sidechain ‘push’ to smooth out harsh, aggressive stuff. Most compressors press sounds back, this one pushes them forward. The original is in every million dollar studio, now my version can be in yours