🎵 MaGeSY® R-EVOLUTiON™⭐⭐⭐

  • RealRick v4.0.5.7471 AAX STANDALONE VSTi VST3 WiN-R2R

    RealRick v4.0.5.7471 WiN

    Team R2R | 15 Jan 2021 | 514.3MB

    PLATFORM: WiN32/64 – STANDALONE/VST/VST3/AAX

    In the early 1960s Rickenbacker® history became forever wedded to one of the biggest music upheavals of the 20th century: the invasion of the mop-top Beatles from Liverpool, England. The Beatles created unprecedented, international interest in Rickenbackers. John Lennon would own at least four models, George Harrison’s double-bound 360/12 (the second one made by the company) defined a new tone at the other end of the audio spectrum. Its ringing sound embellished “You Can’t Do That”, “Eight Days a Week”, “A Hard Day’s Night”, “Ticket To Ride” to name just a few. Jim McGuinn made the bell-like quality of its tone the foundation of the Byrds’ early style. The Who’s Peter Townshend, Creedence Clearwater Revival’s John Fogerty, Steppenwolf’s John Kay, and many other well-known 1960s guitarists became faithful Rickenbacker® users. Groups like Oasis, Pearl Jam, Radiohead, U2, and other of today’s top acts include Rickenbacker® guitars in their musical arsenal. Rickenbacker® is the principal guitar of artists such as R.E.M.’s Peter Buck and Against Me!’s Laura Jane Grace, and many others.


    Viewed 16522 By Music Producers & DJ´s.


  • TS-1 Transient Shaper v1.3.1 macOS-SPTNDC
    July 17th, 2021 ⚡
    Categories:

    TS-1-Transient-Shaper-v1.3.1-macOS

    TS-1 Transient Shaper v1.3.1 macOS

    SPTNDC | 17 May 2021 | 13.4 MB

    ..:: VST2, VST3, AU And AAX 64-bit ::..

    TS-1 features two separate detection circuits for Attack and Sustain, whose signals can be filtered to improve the detection (SC filtering) or to color the processed audio. A soft clipping circuit will gently saturate and “compress” your signal, in a similar way to a tape saturation. Starting with version 1.1, TS-1 now features two distinct modes named Type A and Type B. While Type A retains the original TS-1 algorithm, Type B is a brand new one featuring inverse envelope curves on negative gain values.


    Viewed 10487 By Music Producers & DJ´s.


  • OB-Xa V v1.0.0 macOS
    July 17th, 2021 ⚡
    Categories:

    OB-Xa V v1.0.0 macOS

    OB-Xa V v1.0.0 macOS

    P2P | 20 May 2020 | 224 MB

    AU, STANDALONE, VSTi, VST3, AAX, x64

    The OB-Xa V takes the immense analog power of the fat, aggressive sounding OB-Xa from the 80s charts to the modern era. Faithful to the sound of the original and supercharged with new features, OB-Xa V will take you for a wild sonic ride. Longing to sound like the biggest icons of the 80s? Jump into the dream world of the future by activating the brand new features of the evolved synth. Immerse yourself in this quirky synth and whip up new songs with the fat, creamy sounds that made it famous. Not only will you feel the original sound of punchy bass, thick analog pads and drones, and cyclical effects at your fingertips, you’ll also have access to brand new features that will bring out this iconic sound deeper than ever. OB-Xa V is here to let you spin that audio hurricane!


    Viewed 15599 By Music Producers & DJ´s.


  • Guitar Plug-in Suite WiN-R2R
    July 16th, 2021 ⚡
    Categories:

    Guitar Plug-in Suite WiN

    TEAM R2R | 23.02.2020 | 271.84 MB

    PLATFORM : WiN32/64 – VST/VST3/AAX(MODiFiED)

    All-in-one Guitar Plug-In Suite. The most advanced modelling algorithms, users can experience real-time simulations. Our software uses internal circuit simulations from the schematic’s of the specific amplifier’s…


    Viewed 15440 By Music Producers & DJ´s.


  • 112dB Redline Reverb v1.0.12 VST WiN-R2R
    July 16th, 2021 ⚡
    Categories:

    112dB Redline Reverb v1.0.12 VST WiN-R2R

    Redline Reverb v1.0.12 WiN

    Team R2R | 12 Jul 2016 | 13.1 MB

    PLATFORM: WiN32/64 – VST/RTAS/AAX(MODiFiED)

    Redline Reverb is a fully algorithmic and true stereo reverb with possibilities far beyond the conventional – check out the 112 factory presets for a comprehensive showcase of what it can do. Unlike conventional algorithmic reverbs, Redline Reverb does not need separate plate, hall, and room algorithms. Instead it features a comprehensive yet intuitive parameter set that allows you to easily recreate any given reverb characteristic, leaving you free to create lush smooth vocal reverbs, convincing room simulations, almost infinite reverb tails, synth pad and delay effects, and everything in between.


    Viewed 14740 By Music Producers & DJ´s.


  • DrumComputer v1.0.0 WiN MAC-R2R
    July 15th, 2021 ⚡
    Categories:

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    DrumComputer v1.0.0 WiN MAC

    Team R2R | 13 Jan 2020 | WiN: 132.1 MB | OSX: 244.8 MB

    PLATFORMS: WiN64: EXE/VSTi/AAX | MAC: APP/AU/VSTi/AAX

    Calculating Beats…

    DrumComputer is the new specialist for synthetic drums, combining classic and modern synthesis with flexible modulations and luxurious sequencing. Intelligent randomizers, elegant pattern editing and import of your own samples are just a few of the mind blowing possibilities. Enjoy new drums everyday and get inspired by all the creativity that DrumComputer sets free. Just because, there still is all the unheard of.


    Viewed 10192 By Music Producers & DJ´s.


  • TE-100 v1.1.1 AAX VST VST3 x86 x64 WiN-R2R

    TE-100 v1.1.1 WiN

    Team R2R | August 23 2020 | 15 MB

    PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

    The original KLEIN & HUMMEL UE-100® EQs are extremely rare and expensive. But Rafa Sardina – who has 12 Grammy wins and 35 nominations – owns 10 of them! What is so special about this weird and wonderful device? For some time, hardware equalizers had to each be developed with a specific purpose in mind, requiring engineers to combine different EQ types in one signal chain in order to achieve the frequency response they needed on any given source. They would have to accept the necessary evil of the resulting phase and intermodulation distortion when treating these sounds. When released in 1961, the Klein & Hummel UE-100 Universal Equalizer changed all that. This all-tube minimum phase EQ used six discrete filter modules to create a collection of band-pass filters that could create dynamic curves for any application from source mixing to vocal tracking to mastering. While some earlier UE-100s were used to transparently filter out junk low and high frequencies when printing to tape and vinyl, it quickly became commonplace to take advantage of the unique pushbutton frequency selection; this provided an easy way to not only recall settings, but also alter them on the fly while recording a performance. The UE-100 became known for its musically warm curves and precise response, offering a myriad of possibilities for treating frequencies by boosting and/or cutting across the spectrum to shape sounds “like a Pultec on steroids.”


    Viewed 11212 By Music Producers & DJ´s.


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