Late Replies v1.2.0 WiN

TEAM V.R | 05 June 2018 | 46.39 MB

(Win32/64; AAX*, VST3, VST)

Late Replies is a powerful delay and multi effects plug-in that can be indefinitely extended by hosting third party VST, VST3 or AU plug-ins anywhere in the signal path. With its unique topology, the plug-in is a full-featured delay machine with unlimited powers: both the 8 taps pattern module and the two nested feedback loops include plug-in slots that can host built-in effects or third party plug-ins. So it’s not just about delays! The plug-in includes 25 built-in effects to further manipulate the delay lines: modulation effects, EQ and filters, dynamics processors, pitch and frequency shifters, wave shaper…

Vegas Pro 15.0 Build 361 WiN

Team V.R | 05 Jun 2018 | 446.1 MB

VEGAS Pro has always been an innovator. Version 15 carries on this legacy and delivers a completely customizable interface that provides ultimate flexibility. Filled with new features, both inside and out, VEGAS Pro powers your creativity. Whether you work in HD or 4K, VEGAS Pro stands ready to be your creative partner. Video/Audio production and DVD/Blu-ray disc authoring all in one powerful package.

SideKick 6 v1.7.216 VST VST3 WiN

Team V.R | 01 Jun 2018 | 3.4MB

SideKick Extended 6 is the easiest, yet most comprehensive side-chain compressor that works in your VST and/or AU compatible host on Mac and Windows. With Side chaining you change the volume from one sound by the volume of another sound. It is most commonly used to duck (bass) sounds on each kick punch. Creating room in your mix for maximum fatness.

Outer Space v1.2.0 WiN

Team V.R | 18 May 2018 | 15.28 MB

VST VST3 AAX x86 x64

Outer Space is a faithful emulation plugin of a famous vintage tape echo made in the early seventies. As the original unit, Outer Space features a tape echo section with three playback heads and a spring reverb tank. We have modelled three different tape frequency responses and saturations, along with all the analog imperfections of tape recording/playback. We’ve also modelled the ballistic response of the delay rate (repeat rate) which can create eerie pitch shifts (due to the Doppler effect), one of the classic tape echo-based sound effects

miniBit v1.5.0 WiN

Team V.R | 18 May 2018 | 6.71 MB

AAX VST VST3 x86 x64

miniBit is a 8-bit/chiptune style synthesizer that emulates the sound of 80s game consoles and retrocomputers. It features a main oscillator with 12 waveforms paired with a sub oscillator (a square wave pitched one octave below). The waveforms are not bandlimited and will produce aliasing. Furthermore, using the built-in bitcrusher, you can create even more noisy and retro sounds.

ElastiqueAAX v2.1.0 WiN x64

TEAM V.R | 16 May 2018 | 2.52 MB

élastiqueAAX is time and pitch manipulation plugin for Pro Tools. It uses the élastiquePro V3 time-stretching and pitch shifting engine which is integrated in numerous DAWs and satisfies millions of users around the world. This ensures the highest, program independent time-stretching/pitch-shifting quality. The plugin interface has been designed to allow quick and intuitive interaction with all parameters for maximum control. élastiqueAAX is an offline Audio Suite plugin, therefore allowing to apply time-stretching and pitch-shifting much faster than real-time.

Destructor v1.3.2 WiN

TEAM V.R | 16 May 2018 | 48.51 MB

(Win32/64; AAX, RTAS, VST3, VST)

Destructor is a powerful distortion and amp sim modeling tool capable of simulating any kind of distortion: from harsh digital destruction to smooth compression or guitar amp simulation (works for clean tones too.), and most importantly, yours. It is delivered with hundreds of presets and predefined models, either inspired by existing gear (guitar & bass amps or cabinets, compressors, pedals, tape machines…) or created by our destructive minds. But the plug-in is not limited to these predefined models: all parameters of existing presets are fully editable, which gives you access to an unlimited number of distortion simulations – no need to purchase extra presets or amp models to build your custom tone. Based on a perceptual model rather than on electronic designs or impulse responses, the signal chain is reduced to its bare minimum, simplifying the process of tweaking the tone and making it fit into the mix.