PHAT’s drum kits were recorded with great attention to detail and love for the genre’s specialities. We recorded real drummers’ performances on a delicate selection of sought-after instruments, selected fitting recording rooms with prime acoustical space, and employed only the finest microphones, outboard gear and mixing equipment.
HEAVY’s drum kits were recorded with great attention to detail and love for the genre’s specialities. We recorded real drummers’ performances on a delicate selection of sought-after instruments, selected fitting recording rooms with prime acoustical space, and employed only the finest microphones, outboard gear and mixing equipment.
Loudness Meter helps you find the true perceived loudness of your audio and prepares it for TV or streaming services release. Join the thousands of recording studios that already use it.
Powerful sound and a smart morphing feature — perfectly suited for live performances, jam sessions, and studio productions. Cool Sound with cool Controls — not just another Synth! Monique can be a peaceful girl, but her real power is aggressive leads and deep bold basses. Her unique Morphing Feature Incredibly Flexible — designed for live performance, jamming, and studio recording.
Booming bassdrums, saucy cymbals and crispy snares can be used to describe the sound of drum machines from the early 80’s. ADM contains three classic vintage drum machines from that era rolled into one, combined with a 32-step internal sequencer and pattern controlled fx (PCF). Get all your patterns into ADM via the Import Rebirth function or directly from your old 909 via sysex (we will provide a free tool for dumping sysex).
The second product of the ongoing and very fruitful collaboration with MagicDeathEye is a faithful emulation of their stereo master buss compressor & equalizer. From the description of the hardware: “The stereo compressor is two mono compressor circuits with some extras designed for mastering and buss compression duties. This new version has an added EQ section. There are two (boost only) bands with two frequency selections each. The EQ is worked into the Variable Mu tube gain structure. This means it is not before or after the compression section, it is within it. The EQ circuit is inductor based and has wide curves for giving program material that “little something”. There is also a two frequency low cut for tightening up out of control bass. The boost of the bands can be 5dB or 3dB split between 5 steps. I spent a lot of time shaping this EQ mastering everyday and fine tuning the components on the weekends. It sounds absolutely fabulous.”
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