Gong Amp v1.0.0 WiN

Team R2R | 19 January 2022 | 38.8MB

The Resonance of Early Electronic Music

Gong Amp takes an exciting experimental amplifier from the beginnings of electronic music to the plugin world of today. In 1932, Maurice Martenot was looking for a way to make his groundbreaking proto-synthesizer “Ondes” audible beyond what could be archived with the horns and loudspeakers of the time. He developed a set of “diffuseurs”, of which the “Métallique” was one. Instead of a paper cone or horn, Martenot put a gong behind the amplifier circuitry. This seemingly simple idea resulted in resonances and brilliant overtones that excite audiences to this day.

Complexer 2 v2.0.5 WiN MAC LiNUX

Team R2R | 25 April 2022 | 16.16 MB

VST • VST3 • AU • AAX

Complexer 2 is a multi-stage dynamics processor, featuring three independently controlled dynamics processors, each with a choice of six different modes. Each of the three processors can be configured as an upward or downward compressor, an upward or downward expander, a limiter, or a gate. Complexer 2 offers four different arrangements for processing: serial/parallel chaining, stereo, mid/side, and multiband. Complexer 2 is a dynamics powerhouse, letting you take complete control of your track.

DeeQ v1.2.0 WiN MAC

Team R2R | 25 April 2022 | 16.52 MB

VST • VST3 • AU • AAX

DeeQ is a single-band dynamic EQ filter that automatically adjusts the parameters of the EQ based on the incoming envelope or an external sidechain.

Lowtility 2 v2.1.0 WiN MAC LiNUX

Team R2R | 25 April 2022 | 22.9 MB

VST • VST3 • AU • AAX

Lowtility is a stereo tool designed to control the low end of your mix. It features a variable-slope low pass filter, along with a separate section for finely tuning the stereo width of the bass frequencies. With the with stereo meters, you can visualise how the left and right channels interact, making sure you don’t have any phase-cancellation issues.

Maximal v2.3.0 WiN MAC LiNUX

Team R2R | 25 April 2022 | 19.88MB

VST • VST3 • AU • AAX

Loudness Maximizer / Brickwall Peak Limiter

Maximal 2 is a loudness maximiser, featuring an advanced lookahead peak limiter and analogue modelled saturation. The multi-stage limiter section features next-level lookahead, automatic makeup gain, and adaptive and responsive release. This plugin will smoothly limit any peaks in the audio, and automatically increase the overall level. The analogue modelled tape and tube saturation modes encompass all the best parts of the analogue world, without all the bad parts – such as high-frequency roll-off, hiss, wow and flutter. Using our adaptive release technology, you can simply tell Maximal 2 whether you want the limiter to be fast and loud, or slow and transparent, and it will do what’s needed inside. You can use Maximal 2 to catch rampant peaks in an audio recording, or you can use it to make your track phat and loud – it’s up to you how you push it.

Lotus v1.1.1 WiN

P2P | 06 March 2022 | 14.78 MB

ADDED TODAY –> Team R2R | 24 March 2022 | 6.9MB

New secret weapon for melodies Our most game changing plugin yet is finally here… LOTUS LOTUS is an analog delay / pitch shifter with hundreds of unique capabilities. If you’re trying to make your melodies more unique, you need this plugin. LOTUS perfectly replicates a famous guitar effect pedal that’s become very popular in Hip Hop and Lofi production (can you guess what it is?) The problem is, this hardware pedal is hard to get, hard to use, and is extremely expensive. Plus you can’t even save presets easily or even use it in stereo… However, LOTUS is very easy to use while keeping all the advanced features found in the hardware version, plus it’s much more affordable. This plugin is a game changer for making melodies more interesting. Put it on any loop and it instantly gives you a unique sound.

P914 FFB v1.5.3 WiN

Team R2R | 23 March 2022 | 11.5MB

At a time when Bob Moog and others were pioneering the concept of voltage control for oscillators, filters, amplifiers, and more, Bob Moog again broke the mold and conceived a fixed filter bank; no voltage control! This was not an equalizer although it had certain visual characteristics of one. No, the intent of the FFB was to enhance the primary signal, adding harmonics at specific frequencies or removing them at others. This was a time when musicians and engineers were struggling to come to terms with the new synthesizers charging across the music industry and how to employ them in the composing and performing world.