Sounds Like Baggi Begovic WAV

Team AUDIOSTRiKE | 24 January 2014 | 226 MB

The currently #4 holder in the Beatport chart BAGGI BEGOVIC gets our full stamp of approval for one of the best sample packs to date! If you haven’t heard of BAGGI BEGOVIC by now you must have been stranded on a desert island or in total isolation because this giant has had releases on all the big labels like Stealth and Defected records. His current collab with colleague Rene Amesz ‘Smells Like Teen Spirit’ is trashing the Beatport top 10 currently residing at a number 4 position and still rising. Now you can have a taste of his collection of grooves, basslines and synths which gives your productions what it needs to get it to the next level. With so much content, this pack is a must-have for any producer!

Symphonic Impact 2 The Sequel MULTiFORMAT

Team AUDIOSTRiKE | 24 January 2014 | 677 MB

The Symphonic series has become the go to collection for film composers, video game track writers, soundtrack writers, etc. Now bunker 8 returns with the percussive/transit/sting library to pair beautifully with your soundtrack compositions, the sequel you need, Symphonic Impact 2. Game track edits and horror film masterpiece. These are the perfect explosive, boomy, robot, sci-fi, distortion, transitional sounds so desperately demanded by trailer music producers the world over. If you are looking to seam those orchestral/action edits with powerhouse percussive effects, this is THE collection to have. Over 1.02 GB of content served up in WAV and AIF format. These sounds are also mapped across sampler presets in your favorite formats. There are booms, combo sounds, rvrs and forward transit FX’s, scrapes, Filtered FX and a fantastic collection of Prepared piano strums, thuds, bangs, plucks, discordant dings, bashes, etc.

Fear and Horror for NI MASSIVE

Team: SYNTHiC4TE | Jan 24 2014 | 21.5 MB

‘Fear And Horror for N.I. Massive’ contains 50 disturbing and frightful pads, atmospheres, sound effects, bells and other sounds for N.I. Massive, which are guaranteed to add that macabre touch to your tracks. All 8 Macros are assigned to each patch for maximum expression.

WOK EFU-1 Echo Freeze Unit VST WiN

ST3RE0 | 01/05/2011 | x86 | 3.12 MB

EFU-1 is more than another delay plugin. Besides all the basic functions (host sync or milliseconds, digital/tape/analog sound, modulation) it features a distinctive freeze function; like some famous hardware delay units, the delay buffer can act like a sampler. Up to 4/1 bars of input signal can be recorded (or lets better say: frozen) and continously played back at a selectable speed – even reverse. But EFU-1 is more flexible than hardware devices: while a frozen audio segment is played back, the delay unit remains useable – even at a different delay time / sync divider! Also to hold and freeze a signal it is possible to first choose “record” and then send audio to the plugin, or you continously play thru the delay and if the “last loop” was interesting, you hit “Record” to freeze it! And while the recorded phrase is played back – even reverse, you may continue to play along with it thru the delay at a different time setting.

WOK Ringer VST x86 WiN-FREE

FREE | x86 | VST | WiN | 570 KB

Ringer is a Ringmodulator.

Input X and Y are left and right audio channel of the track. Y can be switched to the internal OSC. The frequency of the OSC can be controlled by the slider oder MIDI.

whiteLABEL d:SHIFT v1.0 VST WiN RETAiL

HY2ROG3N | WiN | VST | x86 | 6.22 MB

A stereo pitch-shifter piles head-long into an echo box with filters bit-crusher and waveshaper. To pour acid in the wounds : modulators attack both pitch and delay time. “This oh-so desirable effect combines pitchshifting and delay to produce lush choruses, swirling echoes and some dynamite vocal doubling” With delay times ranging from 2 milliseconds right the way up to five seconds, the feedback path is the most important part of this effect … that’s where you’ll find a pitch-shifter, a bit-crusher, a wave-shaper and a shelving filter. A wide variety of effects can be generated from subtle chorus-type sounds to nasty smashed-up swooping loops, clean slap-delays to evil bad-guy voice effects.

WOK VDimension VST 1.0 WiN

TEAM Peace-Out | x86 | 05 August 2009 | 7 MB

The Roland™ Dimension D is a famous peace of gear from 1979. A chorus which did not detune the signal too strong but gave it a 3-dimensional depth and wideness. These are still used in studios because of their easy use and good sound. The VDIMENSION tries to recreate this sound as a VST-plugin. It has the four presets plus modulation off. Input and/or output can be switched to mono.