The Dynamic EQ is a 64 bit, zero latency signal processor that combines the functions of a compressor with the results of an equalizer. The combination of these features gives the Dynamic EQ an advantage over “static” equalizers in that it can respond in real time to signal input, applying equalization when it is needed, rather than all the time.
The Essential Compressor is a versatile and transparent compressor, designed for the discerning engineer who does not want any coloration or character added to the signal. The Essential Compressor lends itself perfectly for instruments ranging from classical instruments to rock bass and drums.
VST-effects, built on the basis of MHC Space Synthesizer. 256 presets are included. Suitable for various cosmic sounds and pads. From the usual saws, if you wish, you can make a powerful atmospheric pad.
The Vintage EQ gets its name from the warmth and character you hear when passing a signal through this EQ. Any mastering or recording engineer worth his weight in salt will know that when using a “standard” digital EQ, the frequency response approaches 0dB and the signal frequency approaches the Nyquist frequency.
Create, produce and perform. Create ideas, make changes without stopping, and capture everything as you work. If you’ve used music software before, you’re already familiar with one half of Ableton Live. Live’s Arrangement View is a familiar working space: time moves from left to right, while tracks are stacked vertically. But Live also features the revolutionary Session View: a uniquesketchpad for improvising, playing and performing with musical ideas, without the constraints of the timeline. Freely and independently start and stop any number of audio or MIDI loops – everything stays in sync. Almost everything in Live works in real-time – add, reorder or remove devices, play with Live’s flexible track routing and more all without interrupting your creative flow.
CrX4 gets a couple of bugfixes and smaller optimizations with version 4.0.3. SaxLab and MorphoX get a tiny update with some fixes. MorphoX gets a face lift to version 1.1.1, adding a couple of features including scaleability and undo/redo.
Nowadays the music industry aims for the highest possible quality and volume for music Most softvers are lacking in this department. The Tube virtualiser – using a special algorithm – can bring out the maximum from music. With the help of this program, it’s possible to bring out extra deep frequency without distortion. And when the distortion is impossible to avoid, the program makes the sound affable to human hearing. This solution is tipically used by analogous technologies. Important: do not put the program at the end of the effect chain, the last must always be a limiter!
