Created by musicians for musicians, Forte is a unique and easy to use score writing software for everyday musicians, teachers and choir leaders. If you are looking for a tool that fits your needs, is easy to use and affordable, Forte is perfect for you! Start writing scores today!
The Amen is the legendary “Amen Break”, packed in a powerful VST Plug-in. No more wasting Your time with slicing and re-arranging your Amen Break wave file. Just play your MIDI, turn some knobs and make beats. The Amen Break is already sliced up into its single drum hits. Each single slice can be triggered by its own MIDI note. It can be rearranged with no limits, so that You can produce the “Amen”- beat of your choice. It has two types of amp envelopes, one main envelope, which has effect to all slices, and each single slice additionally has its own envelope for more individual tweaking. It has a multimode filter, an ADSR filter envelope, two LFOs and an effects section with phaser, bitcrusher, distortion and a reverb. The slices can be played forward and reverse by Velocity strength.
SaxLab 2 Saxophone Synthesizer is the result of many years of investigation and programming. It uses not one technology but a very carefully balanced mixture of various techniques to obtain the most realistic sax sound you can get from a virtual instrument. Authenticity, Expression and Variation is a must to obtain believable sax sounds. Key features include an easy-to-use interface, a wide range of high-quality soundsets for bass, baritone, tenor, alto and soprano saxophone. An effects section that includes a specialized chorus and reverb, as well as extensive real-time modulation options.Special attention has been paid to making the performance controls as rich and responsive as possible, so that the instrument can be realistically played. Inspirational SoundSets combined with an easy-to-use interface make the LinPlug SaxLab the ideal virtual instrument for musicians wanting to emulate real saxophones.
A versatile graphical EQ with a wide range of zero latency analogue modelled filters and realtime FFT display. Many digital EQs, including those of some popular Digital Audio Workstations can have an artificially cramped filter response, especially at high frequency settings. This is often cited as a reason for the ‘digital’ sound of some equalizers. Conventional solutions to this problem can be both CPU intensive and add extra latency or other artefacts. The AF2-10 uses innovative filter algorithms to accurately model the natural response of analogue designs, even at close to the limit imposed by the sample rate, without requiring CPU intensive or latency inducing techniques. Up to ten bands are provided covering a comprehensive range of filter types across the full 20Hz to 20kHz audio range together with a sample synchronous realtime FFT display featuring optional pre / post process monitoring and selectable slope compensation.
Predator is a “phat sounding” killer synthesizer that combines inspiring presets and first-class features to make this your ‘go-to’ synth for contemporary music production. The user interface has been designed so that almost all controls are visible on screen, making it fun and incredibly easy-to-use. And if you’re unsure about a particular synth function, simply right click your mouse to access the help screen. Predator is packed with powerful features such as Preset Quick Browser, Preset bank mananger, Preset Morphing, Intelligent Preset Variation, MIDI and Synth Controllable FX, Unison Detune, Chord Memory and an extremely versatile Arpeggiator. Included are over 4400 presets, collected in style banks: HipHop, Dance, breakbeat, various Trance styles, DnB banks, DubStep, Hardcore dance, House, SFX banks and last but not lease several artist banks Last but not least, Predator also includes PredatorFX, allowing you to use the incredible filters, modulations, effects and vocoder as an FX plug-in within your music host.
5 Multimedia Progams by RF1
Blue Cat’s MB-7 Mixer is a unique plug-in that splits the signal into several frequency bands and lets you mix and process them as if they were separate tracks.
Each band proposes controls that can be found on a mixing console, and more: bypass, mute or solo each band separately to isolate frequencies you want to work on, adjust the gain, the “stereoness” and the position in the stereo field. When manipulating the stereo image, a master mono switch also lets you check mono compatibility.
