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    ARC v2.51 for LA Scoring Strings (LASS)

    P2P | Nov 04 2015 | 48 MB

    The Audiobro Remote Control (aka ARC) is the most striking new feature introduced in LASS 2.0. This powerful script allows you to control multiple patches from one place; for example, you can globally purge or load samples, turn vibrato/non‑vibrato on and off, set up Auto Rhythm patterns, and so on, without having to scroll down and individually perform those operations on each patch. As well as being a big time‑saver for programming multi‑patch setups, the ARC also introduces several important new features, which we’ll examine below.


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  • BaseHead 3.x WiN MAC OSX
    November 3rd, 2015 ⚡

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    BaseHead 3.x WiN MAC OSX

    P2P | 03.11.2015 | 25.4 MB

    BaseHead already dominates the video game industry and now with the release of version 4.x expect a world wide Hostile Takeover! If you are a sound designer for video games or feature films using a DAW (like Nuendo or Pro Tools ) and want to speed up your workflow, then this is the product to get! Originally we made this program just for ourselves only, but the BaseHead Project has grown beyond that being used by thousands daily to FIND SH*T FAST!!


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    GrindMachine v1.8.0 WiN MAC

    Team BEAT | 26 October 2015 | WiN+MAC: 46.84 MB

    Grind Machine is the ultimate metal tone monster.

    No need to tweak, just plug Grind Machine into your track and enjoy instant mix ready tones that cut through your mix effortlessly. Grind Machine keeps it simple, using any of it’s 12 amplifiers and 20 cabinets it gives you over 240 kick-ass sounding rig variations, leaving you to focus on the songwriting process and save time on your mix. Grind Machine also includes DJENTBOX, an overdrive pedal that makes low tunings sound tighter and more in your face!


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  • Noisebud Slow 1.2 VST x86 WiN
    October 25th, 2015 ⚡
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    Noisebud Slow 1.2 VST x86 WiN

    P2P | 24.10.2015 | 6.3 MB

    Slow is a RMS based leveling amp / compressor aimed for mastering but it can be very handy in production as well. It’s called slow because initially the attack and release was locked to 2 seconds, really slow, hence the name. As the plugin evolved we added an attack knob and in it’s latest incarnation we also let the release out in the open. It start to look like a normal compressor but you’ll soon notice that that is not the case. Slow does not just reduce the gain when the level is above a threshold, it will also increase the gain when the level is below. This make Slow one of a kind and the approach has shown that you can achieve transparent results quicker and with less hassle and surprises. Its intended use is for even out the level of a whole track but try it for sculpting bass drums, compress vocals or brass


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