Captures the spirit of the chiptune and 8-bit scenes for any music style A unique assortment of circuit-bent sounds, distorted leads, and noises from modified video game consoles and classic computers. Includes complex MIDI patterns based on classic arcade games
The Saxophones use samples as a base material, chromatically performed by a professional player over a very wide dynamic range, and recorded with state-of-the-art technology. The resulting timbre is therefore that of the real instrument. But the analogy with a sample based library ends here. The underlying, proprietary technology allows continuous interpolation among different vectors like time, dynamics, pitch and formants. Advanced real time processing techniques yield realistic legato/portamento, vibrato, overblow, ornamentations & trills with phase continuity, constant-formant pitchbends, subharmonics, growl and flutter tongue to be performed in real time.
Vandelay provides three separate delays in as many frequency regions. Each delay has an LFO that modulates the pitch of the audio stream. Together with tempo based delay times and feedback control you can create a very rich sound from almost any source. Sporting a clever, responsive and intuitive user interface, Vandelay is easily controlled and you will almost certainly get the hang out of it in minutes!
Tines emulates an electric piano. With internal effects like a stereo tremolo, a multiband distortion panel and a subtle roomy reverb, Tines can sound like anything between a dreamy slick Rhodes to a nasty Wurlitzer (however, it is not designed to be a ”vintage” emulation, but a modern and playable instrument). A fine-tuned velocity curve makes Tines a true joy to play on a MIDI keyboard.
Baervaag* is a fairly simple FM synthesizer with one carrier and one modulator. The oscillator waveforms can be modified seamlessly between sine wave to pure square wave with PWM (pulse width modulation).
PressIt is a very sophisticated dynamic tool, best used as a master plugin, or to tighten up bus masters. It works really well on drums, but also background vocals or other stems that need to be tamed will fit well. PressIt consists of three compressors who work independently of each other. They are fed with the low, mid & high frequency band of the incoming audio signal. The compressor units consist of our unique algorithm from Korvpressor, developed together with engineers from KTH (Royal Institute of Technology) in Stockholm. They gently shape the three signals (with full control), and then sums it back into a nice unity. Before the audio leaves the plugin, there’s an optional brick-wall limiter to prevent digital distortion.
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