Nebula 3 Server Bundle v1.3.505 WiN

P2P | 18 February 2014 | 45.06 MB

Capture the big, warm, detailed sound of world-class outboard gear, for use inside the box, with our flagship product. Driven by our improved and optimized engine Core3, Nebula3 Pro is our fastest-processing, best-performing, plug-in creation yet. Multiplatform support for premium and third party libraries. Includes N.A.T.3 Sampler. Mix a revolution with Nebula3 Pro.Server edition: you can use a tcp/ip network for sharing resources among different workstations.

Perfect Room v1.2.1 WiN MAC

Team FLARE | 05 April 2021 | WiN: 5.21 MB | MAC: 8.16 MB

VST, VST3, AU, AAX, x64

A perfect room? Classic algorithmic reverb plugins use a combination of short feedbacking delays to create the illusion of reverberation. These delays cause unwanted metallic resonances and sharp spikes in the reverb’s frequency response. The denise team challenged themselves to create something better – a perfect room – and invented their TXVerb™ technology. Using this technology, the denise Perfect Room doesn’t use delays for the tail. Its technology allows for highly creative use, different sounds, and can enhance the character and colouration of any audio you run through it in an extremely natural way, sounding defined and tight from the lowest kick all the way up to the highest vocal.

Breakdance Drums v1.0 WiN MAC

SYNTHiC4TE | Nov 01 2019

WiN64: 80 MB | MacOSX AU: 85 MB | MacOSX VSTi: 84 MB

Breakdance Drums bring to you the Hottest, processed drum sounds from the 80s era of Breakbeats and Breakdancing. All of the inclusive drum sounds are already compressed/eq’d with hardware outboard gear, and were sampled using vintage samplers such as the EMU EMAX, SP-1200 and MPC 60… bringing you the original grit and upfront drum sounds that cut through mixes with organic sounding results – this is something special. Load up the plugin or sounds (wavs included) within your DAW or hardware sampler, and start making the hottest breakbeats which have come around again to top the charts!

Hauptwerk v4.2.1.003 WiN

P2P | 01 November 2019 | 2.32 GB

The King of All Virtual Instruments

Hauptwerk is state-of-the-art virtual instrument software for Macs and PCs bringing the world’s best pipe organs within reach of musicians everywhere. Used for study and practice by professional and amateur organists, organ enthusiasts, and organ students, Hauptwerk is the world’s leading virtual pipe organ software providing high-resolution audio and unparalleled flexibility in MIDI interfacing with digital organ consoles and pro-audio applications.

Axis EQ v1.0.3 VST2 WiN

Team AudioUTOPiA | March 13 2016 | 47 MB

..:: AAX*, VST2, x86, x64 ::..

There’s a reason the eq that inspired this plugin has endured 45 years of musical fashion & trends: it does all the right things to sound. But even a stunning classic isn’t safe from my meddling tastes! For starters, this eq’s curves are a bit tighter than the original. Next, I added a Saturation knob to overdrive a customized op-amp. That knob generates a very creamy, lush distortion, I’ll often use the Sat on its own, no EQ’ing. It’s fat, and very much a signature Sly-Fi sound!

Kaya v1.0.4 VST2 WiN

Team AudioUTOPiA | March 13 2016 | 42 MB

..:: AAX*, VST2, x86, x64 ::..

There’s only one Kaya… literally. S. Husky Hoskulds made it by taking an old Ampex tube tape deck and hardwiring the preamp directly to the tape head. He calls his unit ‘Pa’, a minimal box with swampy distortion and a very heavy bottom. I started with Pa’s dirt, then added controls to make it more flexible. An assymetric Treble control can rebalance the sound towards the top, or tilt it down into murky darkness. An Abuse knob does exactly what you’d expect it to do. Blend allows you to tuck in the overall effect for subtler applications. What I love about Kaya is it never harshes out, it’s always warm even when it’s gone nuclear. A one-trick pony, but what a trick it is.

Deflector v1.0.2 WiN

Team AudioUTOPiA | March 13 2016 | 33.3 MB

..:: AAX*, VST, x86, x64 ::..

There seem to be two types of mix engineers: those who own a pair of the original units this plug is inspired by, and those who want to. I can’t give you the original, but I can give you my twisted take on it. For starters, I tweaked the distortions to make them fuzzier, because I have a fondness for dirt & grime. I added a 250Hz sidechain HPF option which leaves all bass frequencies uncompressed, as well as a 6kHz sidechain ‘push’ to smooth out harsh, aggressive stuff. Most compressors press sounds back, this one pushes them forward. The original is in every million dollar studio, now my version can be in yours