Start making your movie – now! Put the struggles to learn video-editing software behind you. VEGAS Movie Studio provides everything you need for serious movie making in an easy-to-learn, yet powerful interface. And featured by Sony’s Catalyst Browse, you can manage your clips.
#VORTEX is an easy to use saturation plugin, optimized entirely for processing and designing your 808s. This plugin has been used behind the creation of some of our heaviest 808s to date. It is composed of 4 unique saturation modes, each designed for a different mixing outcome in your low end.
This plugin looks pretty simple, but in reality, it’s a complete powerhouse for transforming the sound of your melodies. You can take 1 melody sample and dramatically change the vibe hundreds of different ways. Pluto is also perfect for processing one shots, synths, vocals, guitars, and even drums. The 30+ fx parameters on Pluto give you tons of options when it comes to sound design.
As music instructors of one of the most renowned websites in the world for music lessons, we are always looking for ways to improve through technology. With the cost of video production, DVD authoring, and audio editing, it is very difficult to produce high quality lessons at a reduced price. We have been trying to look for ways to deliver accurate and high quality lessons to our students and maintain a low cost point. The answer is through technology and that’s what we set out to do with MIDIculous. MIDIculous is a way for us to bring you high quality lessons at a reduced price, while at the same time, leveraging from millions of MIDI files that are already on the Internet for FREE! We were so dissatisfied with the current offerings that are already out there. Either the programs are not for both MAC and PC, or just don’t have all of the features and quality needed for a REAL musician. Remember, we are musicians and teachers so we designed the software specifically for struggling musicians who are looking for more licks, tricks, runs, and riffs.
Redline Reverb is a fully algorithmic and true stereo reverb with possibilities far beyond the conventional – check out the 112 factory presets for a comprehensive showcase of what it can do. Unlike conventional algorithmic reverbs, Redline Reverb does not need separate plate, hall, and room algorithms. Instead it features a comprehensive yet intuitive parameter set that allows you to easily recreate any given reverb characteristic, leaving you free to create lush smooth vocal reverbs, convincing room simulations, almost infinite reverb tails, synth pad and delay effects, and everything in between.
The original KLEIN & HUMMEL UE-100® EQs are extremely rare and expensive. But Rafa Sardina – who has 12 Grammy wins and 35 nominations – owns 10 of them! What is so special about this weird and wonderful device? For some time, hardware equalizers had to each be developed with a specific purpose in mind, requiring engineers to combine different EQ types in one signal chain in order to achieve the frequency response they needed on any given source. They would have to accept the necessary evil of the resulting phase and intermodulation distortion when treating these sounds. When released in 1961, the Klein & Hummel UE-100 Universal Equalizer changed all that. This all-tube minimum phase EQ used six discrete filter modules to create a collection of band-pass filters that could create dynamic curves for any application from source mixing to vocal tracking to mastering. While some earlier UE-100s were used to transparently filter out junk low and high frequencies when printing to tape and vinyl, it quickly became commonplace to take advantage of the unique pushbutton frequency selection; this provided an easy way to not only recall settings, but also alter them on the fly while recording a performance. The UE-100 became known for its musically warm curves and precise response, offering a myriad of possibilities for treating frequencies by boosting and/or cutting across the spectrum to shape sounds “like a Pultec on steroids.”
EPs Cascade is based on highly esoteric vintage components combined in a truly unique circuitry. It is anything but your typical audio processor. EPs Cascade is an amazing toolbox which will open the world for creating the most interesting sound flavors. The beauty of this approach is that it did not have to follow any rules at all. EPs Cascade uses very interesting NOS (New Old Stock) components which are everything but standard in audio applications, and the novel circuitry is a creative celebration of its own. All in all, this gives you the perfect basis for creating truly wonderful, new and unheard sounds. Now you can spice up virtual and natural instruments at ease, transmuting standard sounds with all kinds of gritty, organic and aged flavours. There are no right or wrong settings: Saturation, harmonics, distortion, colouration, filtering, interaction, anything goes, and experimenting is as much encouraged as it is rewarding.
