SpectraLayers Pro v8.0.20 WiN

Team R2R | 13 Mar 2022 | 304.9MB

Win64; AAX, VST3-ARA2, SAL

SpectraLayers is a new approach to audio editing, with new concepts to transform the way you work. For the first time you can directly edit spectral data, opening advanced sonic worlds, and use innovative enhancements to traditional techniques. Visualize audio in astonishing new ways, including 3D. Work with mixes like they were tracks. Integrate these abilities into your DAW and other tools. And all in a familiar interface that you didn’t realize you already knew.

WOK StepCut Modulated Filter v1.0 WiN

TEAM ST3RE0 | 10 NOVEMBER 2010 | 6.09 MB

This is a dual-modulated multi-filter! The cutoff of an LP/BP/HP-filter can be controlled by an LFO and/or a step sequencer. The step sequencer can also control the speed or the modulation amount of the LFO ! Both are synced to host. The LFO can also run at audio rates! (manual or by incoming MIDI notes). And if all this is not enough: both LFO and step sequencer can send their values as MIDI CC messages to control other plugins or synths !

Extreme v1.0 VSTi WiN

TEAM ViP | 22.02.2010 | 60.2 MB

Extreme belongs to our range of hybrid synthesizers. Have you been looking for a synth which sounds different? Then look no more. Extreme supplies a range of sounds which are everything else than common. Extreme includes 256 presets, but it uses our soundpack technology so you may add soundpacks. Three optional soundacks are available for Extreme giving you a total of 1024 presets to explore.

Perfect Room v1.2.2 WiN MAC

FLARE | 08 September 2021 | WiN: 5.22 MB | MAC: 7.98 MB

Classic algorithmic reverb plugins use a combination of short feedbacking delays to create the illusion of reverberation. These delays cause unwanted metallic resonances and sharp spikes in the reverb’s frequency response. The denise team challenged themselves to create something better – a perfect room – and invented their TXVerb technology. Using this technology, the denise Perfect Room doesn’t use delays for the tail and will enhance the character and colouration of any audio you run through it in an extremely natural way, sounding defined and tight from the lowest kick all the way up to the highest vocal.

EZX2 Made Of Metal v1.0.0 HYBRiD

TEAM R2R | WiN | MAC | 2014.12.22 | 1.54 GB

The Made of Metal EZX was recorded at Belgium’s Galaxy Studios, a recording facility crafted with unparalleled detail. Their wood-lined, hall-like main room, in which four complete kits were captured, bring out the very essence of the instruments. The deep, reverberant presence of the toms, the crisp textures of the cymbals and the piercing attack of the snares and kicks. Put all this in the powerful framework of EZdrummer 2 and you have the most raging, ear-numbing and dynamic collection of drums for any metal or hard rock production.

HC38 Headphone Calibrator VST v1.0 WiN

TEAM ST3RE0 | 25/12/2011 | 5.24 MB

HC38 Headphone Calibrator lets the user match the sound of their headphones to that of their studio monitors. It is ideal for field work, when studio monitors are not present, or to mix using headphones. It works by simulating several aspects of monitoring in a room environment. The user can adjust crossfeed, sound absorption, and room reflection. Crossfeed is the merging of the sound coming from each speaker. The amount of crossfeed can be adjusted by choosing from three approximate speaker distances (3′, 5′, and 7′) and fine-tuned using the crossfeed fader. What’s truly unique about the HC38 is its capability to simulate the room environment. The user can select from 6 representative flooring and room treatment materials that affect the way the sound is absorbed and reflected. It also has the basic hi-pass and lo-pass filters so one can make adjustments based on the frequency response graph provided by the headphone manufacturer.

XCTR WiN MAC PROPER

TEAM BEAT | 11.10.2015 | 11.73 MB

.:AAX, VST2, VST3, AU, RTAS, x86, x64:.

XCTR is a multi band harmonic exciter based on our Head Crusher saturation. Harmonic exciters can give a shine to certain frequencies in the mix. They can be used on drums to make the cymbals shine, bring up the kick drum on a stereo bus, bring some life back into a dull instrument, or even some shine to the whole mix.