Waldorf Largo 2 WiN MAC

TEAM R2R | 30 November 2023 | WiN+MAC: 74.4MB

Largo 2 is the software synthesizer with Waldorf DNA. A fully-fledged Waldorf synthesizer for your virtual rack. The UI has been redesigned and now enables continuous scalability. Whether you use a 5K monitor or the FHD screen of your laptop, whether viewing in full size or as a small status display – the plug-in always remains in focus. 3 fat oscillators per voice (two of them with sub oscillators) with classic waveforms and 68 Wavetables taken from the legendary Microwave and Wave synthesizer and also the Q and Blofeld – 2 independent multimode filters – up to 4 layers per sound and 4 stereo outputs. We have added a variety of three formant filter types which mimic the frequency response of the human vocal tract. By using the cutoff parameter you can morph between the vowels a-e-i-o-u for all your favourite choir and voice-like modulations.

Enshape v1.0.3 WiN

MOCHA | 29 June 2023 | 8.2 MB

No AI, no analog emulation.

How it works: Enshape does not edit the dynamics of the audio signal based on a threshold value. It uses two envelope followers that both capture the envelope of the incoming signal. Each envelope has its own attack and release parameters. The gain difference between the first and second envelope will be added to your signal. When the second envelopes value is above the first one, the gain will be boosted, otherwise it will be reduced.

Sculpt v1.3.0 WiN

Team TCD | 11 April 2024 | 18.5MB

..:: PLATFORM: VST2/VST3/AAX(MOD) ::..

SCULPT is built on top of four dynamic modules that run in parallel. Combined, these modules form the ultimate dynamics, tone, and transient shaping workhorse.

Model N Channel v1.0.3 WiN

Team TCD | 11 April 2024 | 43 MB

This plug-in models British-made preamps, compressors, equalizers, and transmitters. It models multiple actual units, including vintage units, recent units, and modified units, and can be used in combination with them. Model N Channel is not just modeling the sound of the original preamp, comp, and EQ alone. It features modeling of the sound qualities and tones routed in large recording studios, including sounds through British consoles, cables, bantam patch bays, and even AD/DA, which can add a strong analog texture.

Zenith v1.0.5 VST2i WiN

Team R2R | HAPPY NEW YEAR! | 18.6 MB

Zenith is an advanced MIDI processor that allows any continuous controllers in a device to be modified by an independent sequencer lane, with each lane running at a unique rate and number of steps. Take control of hardware and software instruments like never before. Unlock and hack functionality. Write patterns and design sound with unparalleled flexibility. As a feature-rich MIDI processor with a host of filters, chorder, scaler, LFOs, envelopes, and 24 x 32 step sequencers controlling MIDI CCs, pitch, velocity and gate at a variety of rates – with complex tools and presets for modifying lanes. Or as a handy custom interface for simply controlling MIDI and SysEx receiving gear.

Equator2 v2.5.1 WiN

Team R2R | HAPPY NEW YEAR! | 213 MB

Limitless Hybrid Synthesizer

Create any sound. Six fully flexible source slots let you build unique sounds, drawing on a wide range of synthesis engines. A wavetable oscillator with a library of bespoke waveforms combined with a high-resolution multi-sampler, a granular engine, FM and more to provide an infinite palette of sounds and textures.

Richter v1.0.1 WiN MAC

Team R2R | 02 September 2023 | 20.5 MB

A compressor beyond the ordinary

Richter is a tectonic compressor, designed to achieve heavy compression with a minimal amount of artifacts. It is the result of many years of experimenting in the Klevgrand labs. Normally a heavily compressed audio signal gets distorted, often with a nasty “zipper noise” artifact because of how the internal envelope followers are engineered. The experiments led to a brand new approach resulting in a compressor that empowers you to squeeze every bit of sonic perfection out of your tracks. Use it for meaty mixes, punchy drums or smooth, transparent vocal tracks. Due to how the algorithm is designed, there are a few unconventional controls to tame Richter. First of all: one single parameter controls how much compression will get applied. The other (important) parameter controls how the internal envelope follower will react to transients vs continuous/lasting sounds. These two parameters make Richter a highly intuitive compressor where the user quickly will be able to dial in the wanted sound. On top of that there’s a boost switch that literally makes the amount span go to eleven. And, as the name suggests, earthquake levels are possible.