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TkDelay is a versatile delay audio plugin. From classic delays to experimental sounds, tkDelay will accompany your needs and creativity.
The Polysix programmable six-voice polyphonic analog synthesizer was introduced in 1981. With a surprisingly full-sounding voice structure, chorus/phase/ensemble effects and performance functions such as chord memory, arpeggiator, and unison the Polysix became a world-wide hit. Its distinctive string and pad sounds are often heard to this day. In addition to faithfully replicating the sound of the original, the Polysix software synthesizer also adds enhancements such as 32-voice polyphony (max), up to 16-voice unison (with detune/ spread function), flexible external modulation settings, MIDI clock synchronization, and a spread function that adjusts the spaciousness of the effects — functionality that brings this classic synthesizer up to date for modern music production. The interface provides reorganized knobs and switches that resurrect the Polysix in a contemporary “rack-mountable” form for even more intuitive operation and sound-creating versatility
Originally part of the first Korg Legacy Collection and later the Korg Legacy Collection: Analog Edition 2007; the MS-20 is now available individually. As the original manufacturer, Korg is uniquely qualified to recreate our vintage analog synthesizers as software instruments. Magesy Korg’s proprietary Component Modeling Technology (CMT) recreates the original circuit path and analog signal flow, to provide results that are completely faithful to the original hardware. The MS-20 is designed to run as a stand-alone program; or as a VST, AU or RTAS Plug-in, making it compatible with nearly any DAW software studio package. The MS-20 software synthesizer provides a complete simulation of its legendary original. In addition, it gives you modern advantages such as up to 32 voices of polyphony and up to 16-voice unison (with detune/spread function). Flexible external modulation settings and MIDI clock synchronization have also been added, giving you even greater creative potential.
Reviver creates harmonic distortion, a sound which is often connected to vintage gear. It does not emulate analog equipment, but instead gives the user full control of overtone generation and volume. Despite this high level of controllability, Reviver’s user interface is intuitive and provides the desired result after just a few mouse clicks.
The Mono/Poly is Korg’s four-VCO monophonic/polyphonic synthesizer that went on sale in 1981 and was considered the culmination of Korg’s experience building analog synthesizers. It was released at the same time as the Polysix, and because of their capabilities, these two magesy instruments caused a revolution in the synthesizer world. Many musicians acclaimed the Mono/Poly as Korg’s best synthesizer yet, with a number of unique characteristics. It provided four VCOs, each providing adjustable pitch, waveform, octave, and level, which could be stacked together for massive sounds, or cycled through one at a time for constantly shifting timbres. Together with one VCF, one VCA, two EGs, and two MGs it provided a powerful yet accessible programming structure.
FinalPlug combines a lookahead peak limiter with ITU BS.1770 loudness metering. FinalPlug can be used as an insert effect, providing limiting for gain staging or volume maximization, or can be placed at the end of your mastering chain to guarantee your audio meets loudness and true peak delivery requirements. The FinalPlug interface could hardly be simpler. When used as a loudness maximizer, select a desired output ceiling level, say -0.1 dB, and then adjust the threshold level. As you decrease the threshold you increase the volume.