EZX Twisted Kit v1.5.2 FULL WiN MAC

AiRiSO/P2P | 07/2007  | 11/2024 | FULL: 718 MB | UPDATE:30MB

The Twisted Kit was designed and sampled by Michael Blair, a percussionist with a highly personal instrument set-up, most known for his work with Tom Waits, Lou Reed and Elvis Costello. It was recorded at the Toontrack Studio and comes with a massive collection of percussive elements. This EZX crosses over boundaries of genres like industrial, blues, ethnic and orchestral to form a unique collection of replacement percussion that should add a new flavor in any songwriter’s creative palette. Welcome to the world of Twisted Kit, where there is nothing remotely odd about having a duck call as an alternative cowbell, mounting the hubcap of a car on top of your snare or having rototom frames form a tonal hi-hat.

Texture v1.6.1 WiN

Team R2R | 16 September 2020 | 673 MB

…::: PLATFORMS: WiN32/64 – VST/AAX(MODiFiED) :::…

Drawing from a library of over 300 acoustic and electronic sources, Texture synthesises new layers which track the dynamics of your sound. Want to “glue” your hi-hats transients by adding dynamic filtered noise? Or how about beefing up that kick drum by automatically adding a low sine wave? Texture makes this is easy, intuitive and fast. But its uses don’t stop at mix enhancement. Experimental musicians and sound designers will find a plethora of leftfield sound at their fingertips. How about having bubbling water track a keyboard part, or adding ferocious fire crackle to the roar of a monster? Texture makes all this and more possible.

Midi Madness 3 v3.0.5 WiN

Team R2R | 04 November 2024 | 3.4 MB

Generate MIDI Melodies, Chord Progressions & Bass lines Plugin

Introducing Midi Madness 3 – The latest version of the world-class MIDI generator. Midi Madness 3 can create an unlimited number of melodies using a simple set of probability weightings. Simply set some parameters, such as a chord sequence and some MIDI controllers, and let Midi Madness go wild, creating melodies, chord progressions and sequences.

.:TAL-Dub-X v2.2.1:.

Team R2R | 04 November 2024 | 34.6MB

TAL-Dub-X is a remake of our popular original freeware TAL-Dub plug-in with a lot of additional features and AAX, OSX 64bit support. TAL-Dub-X is no emulation of a specific hardware delay effect and it has its own special sound. Don’t expect one of the very clean digital delays. An important part of the delay is a special saturation stage and a high quality low pass filter with resonance setting. This makes the delay suitable for endless delay effects. It’s possible to use MIDI automation to control the parameters.

Ultra Focus VSTi WiN MAC

P2P | xx.xx.2004 | 5.11 GB

Imagine one instrument where you can find all the synth sounds you love. One instrument with a huge diversity of sound, with simple access to the presets, and great sound shaping tools: Ultra Focus is that instrument. Sounds from all the biggest synthesizers. In the past, a song you made could have included synths sounds from a variety of sources: modules, keyboards, even a good sampler. The Ultra Focus sound design team used every Landmark synth made in the last 30 years to create the most versatile sound palette ever put together in a single instrument. These brand new sounds will remind musicians of old standards, yet offer better programming and a vastly improved sound quality. Forget about learning to use five synths to produce the sounds you need, free yourself of all the extra gear to make them sound good: with Ultra Focus you’ve arrived!

IL Plugins Pack 2014.10.24 WiN MAC

TEAM R2R | 2014.10.24 | WiN: 657.2 MB | MAC: 235.98 MB

IL Plugins Pack for WiN and MAC

HumBox VM1 v1.0 VSTi WiN

Team DYNAMiCS | 18 February 2009 | 134 MB

HumBox VM1 is a synth with advanced structure for manipulating sounds that allows a quick creation of quality backing vocals and solo lines, realistic scat melodies and original sound effects. It sounds unique as a melodic line, scat or backing vocal simulation as well as an effect for a Movie & Game soundtrack. VM1 is very sensitive to what you’re playing. The interface is very simple, so musicians are freed from technical details, and have wide possibilities for manipulating the sound. Most control elements are intuitive and don’t require setting specific values. They are used to increase or reduce any given parameter of sound. So, after loading Bank and Style you can easily set the sound according to your needs. In addition to that, all sections have QuickHelp – brief comments that can be shown on top of the program window.