Audeon UFO Light v1.02 VSTi WiN

Team DA2M | October, 2007 | 16.90 MB

UFO Light is a “light” version of Audeon’s flagship product – UFO (Unique Filters and Oscillators). Though it doesn’t have all the bells and whistles that enable UFO to produce complex textures and voice-like sounds, UFO Light shares the same synthesis technology and user interface concept as its big brother. It is therefore a good way of discovering Transmodal Synthesis, and since UFO Light presets are fully compatible with UFO, you can upgrade anytime and take your existing presets to the next level. TransModal Synthesis relies on K-Osc, an oscillator model capable of smoothly transitioning between different oscillation modes like harmonic, noisy or chaotic, and Morphilter, a filter allowing continuous transitions between modes (low-pass, high-pass, etc.).

Leslie Sanford Cobalt v1.5.1 VSTi WiN

Team peace-out | 07.11.2009 | 7.60 MB

Cobalt is a VSTi software synthesizer inspired by many of the digital synthesizers from the 1980s.  In the early 80s as digital technology became cheaper, many manufacturers designed synthesizers that combined earlier analog technology with newer digital technology. These were known as hybrid synthesizers. Well-known hybrid synthesizers are the Korg DW8000 and DW6000, the Ensoniq ESQ-1, and the Kawai K3.  In analog/digital hybrid synthesizers, the oscillators responsible for generating waveforms are digital while the filter section remains analog. This approach freed designers to use any kind of waveform; they were no longer restricted to traditional analog waveforms such as sawtooth, triangle, and pulse. However, by using an analog filter, these synthesizers retained the warmth earlier analog synthesizers were known for. Though Cobalt is a purely digital synthesizer, its overall architecture is very much like those early hybrid synthesizers. It features a wide selection of waveforms, most of which were resynthesized from actual hybrid synthesizers, while providing traditional subtractive synthesis capabilities for sculpting its sound.

Tantra v1.00 AU VST VSTi MAC REPACK

TEAM R2R | 2015.04.26 | 52.63 MB

Tantra is a rhythmic multi-effect plug-in with a rich feature set and high quality processing modules. With Tantra you can get any kind of sound and turn it into a complex rhythmic progression, with lots of movements among the deep produced sound space.

112dB Plugins Pack 2015.04.26 WiN MAC

TEAM R2R | 2015.04.26 | WiN: 157.18 MB | MAC: 144.52 MB

Founded in 2005, 112dB is a company committed to producing high quality virtual plugins with an emphasis on characterful interpretations of digital devices and innovative products. Designed with the professional producer, performing musician, and amateur/enthusiast in mind, 112dB seeks to put new creative tools in the hands of all of those for whom the computer is an integral part of the music-making process.

E-MU Proteus VX v2.0.1 VSTi ISO

Team DYNAMiCS | 06/21/2007 | 126.76 MB

E-MU Proteus VX Software Sound Module is a 24-bit/192kHz standalone/VST instrument for your PC that offers the pristine sound quality and powerful Z-Plane filters of E-MU’s powerful Proteus X2 Software Sound Module, plus over 1,000 sounds from E-MU’s legendary Proteus 2000 sound module. You can also expand your Proteus VX with any soundset from E-MU’s comprehensive sound library. Proteus VX offers you an intuitive sound module interface to quickly dial in your sounds, with easy-to-use librarian and search functions to find that perfect preset in seconds, as well as two discrete effects processors with comprehensive MIDI modulation per preset.

Xin Hua for Vocaloid3 AE/FE/4FE

AlexVox | 14 April 2015 | 990 MB

Xin Hua (心華) is an Chinese VOCALOID3 to be developed by Bplats, Inc., under the YAMAHA Corporation, in collaboration with GYNOID. She is voiced by Wang Wenyi (王文儀; Wáng Wényí), a Taiwanese voice actress. Xin Hua is the first Chinese VOCALOID to have voice provider who was not from Mainland China. She was from Taiwan respectively.

Kong Audio ChineeGuQin v1.1.0 VSTi WiN

Team ASSiGN | 18 FEBRUARY 2010 | 193.75 MB

The Vivacious Vessel of Harmony

GuQin is among the few most distinctive and representative classical Chinese instruments ever. The written record of it can be traced back to at least 3,000 years ago. It’s a zither similar to GuZheng, but since GuQin does not have bridges, it is far more versatile in terms of tones and playing techniques, it is also much harder to master. GuQin has a special place in the Chinese history as a symbol of the high-culture of the nobles and intellectuals (Junzi, Superior Man). It’s also seen as the vessel for pursuing harmony. Even Confucius played and taught GuQin. During the last two tumultuous centuries of China, however, GuQin’s tradition was almost extinct. Nowadays the Chinese have resumed the tradition and are trying to revitalize it. GuQin is usually accompanied with a lower-pitched flute. ChineeNanxiao, or some other xiao in ChineeWinds are good choices of companion. The style is usually more personal and inward. In 2003 , GuQin music is recognized as Heritage of Humanity by UNESCO.