The dream synthesizer did not seem to exist: a wavetable synthesizer with a truly high-quality sound, visual and creative workflow-oriented interface to make creating and altering sounds fun instead of tedious, and the ability to “go deep” when desired – to create / import / edit / morph wavetables, and manipulate these on playback in real-time.
Cover all of your saturation needs with a quality-sounding VST that adds instant character to samples and recordings by applying gentle-to-brutal distortion. In addition to its distinctive drivers, phatteners, and crushers, Swiss Saturator is filled with customization options. Adjust the distortion levels of the entire frequency spectrum by exploring Swiss Saturator’s separate low, mid, and high-frequency processing. Swiss Saturator features three identical saturation rows with plenty of options for monitoring and customizing sound. On the top of each row, you can find Solo, Mute, and Bypass buttons, incredibly convenient for in-depth sound shaping. The Mute buttons can also work as makeshift band removers.
Minimalist EQ that does zero damage to any part of your sound no matter what you do with it.
IronVerb is a classic algorithmic reverb, perfect for all reverb needs – from subtle, short reverb to massive atmospheric, ethereal, and ambient textures with long decay. IronVerb’s use is anywhere – from drums and vocals to guitars and pads. You can tweak IronVerb for your desires and needs by choosing from six different modes and a multitude of parameters and utilizing the signature Ironize modulation.
Tighten your mixes with musical bus compression Use the Bettermaker Bus Compressor to add bus compression to your drum, vocal, guitar, and stereo buses. This VCA bus compressor plugin is designed to preserve transient material and maintain “punch” while glueing your mixes together. The Bettermaker Bus Compressor will add the warmth and vibe that your submixes have been missing, especially when applied to raw studio recordings.
Ratshack Reverb is a detailed model of that classic of classics, the Realistic Electronic Reverb. Now, you can have the sound of everyone’s first analog delay unit, without ever having to change batteries! As anyone who has owned this unit (which is just about everyone…) knows, it was actually an analog delay, not a reverb at all, and we’ve done our best to exactly replicate the sound and quirks of the original. We’ve even modeled the distortion that occurs by running a line signal into the mic inputs.
