Vac Attack is an analog-modeled optical limiter plugin that’s intended to control the dynamics of individual tracks and groups. The vacuum tube saturation circuit introduces harmonically-rich warmth and character to vocals, drums, basses, and your stereo bus.
LISA is the only tool of its kind: An all-analog dynamic EQ, featuring a dedicated opto compressor cell for each of its 6 bands. This exacting model of the original brings a new way of applying dynamic EQ to the digital domain. Now you can take advantage of the character and workflow of this boutique mastering-grade hardware in the box.
LISA is the only tool of its kind: An all-analog dynamic EQ, featuring a dedicated opto compressor cell for each of its 6 bands. This exacting model of the original brings a new way of applying dynamic EQ to the digital domain. Now you can take advantage of the character and workflow of this boutique mastering-grade hardware in the box.
We’re thrilled to unveil our latest plug-in: GRFX – Granular Effects. Our granular dream began with FRMS and now lives on with GRFX. Deconstruct ordinary sounds and reassemble them into lush pads, pulsing rhythms, organic textures, and rogue signals from outer space. Sparse or dense, harsh or shimmering, GRFX is your sandbox for bending reality—layering, modulating, and warping your sound with the ephemeralities of the universe. The granulation engine is equally capable of thick cosmic clouds and probabilistic patterns and sequences, with detailed control over the grains’ properties and shapes. The Harmonic Triangle is the centrepiece of GRFX—an interactive three-way panelfor transposing your sounds into chords, drones, arpeggios, and microtones. Highly playable and prone to happy mistakes, especially when joining forces with the 4 dedicated, cross-modulatable LFOs. Modulation is drag-and-drop simple, with instant modulation amount control and a global Modulation Panel. Using a probability-based routing control, send the grains to the FX chain—featuring 2 multi-effect engines—or directly to the Mixer. Top it off with 2 dedicated sends—Delay and Reverb—each with individual route input controls for layered textures and complex sonic spaces.
GrandEQ represents the state of the art of equalizer algorithms. The goal in digital equalizer design is always to reduce the amount of digital artefacts which are introduced due to the necessarily finite sampling frequency. In its minimum phase setting, GrandEQ manages to do just that to an extent larger than most other EQs, and notably both in the amplitude and in the phase domain, while introducing only a very small amount of latency. The result is a very open and clear sound with, at the same time, excellent CPU efficiency. Its linear phase setting stays completely in the time domain, using an elaborate time-reversal algorithm and 2-fold oversampling to ensure excellent amplitude and (flat) phase response with the lowest possible amount of digital distortion.
Lese’s full lineup of audio plugins.
A saturation, tone shaping, compression machine.
