SLAM2 is designed to hide the complex and great-sounding processing behind the scenes and present a simple and inspiring Interface that is very intuitive and has all controls needed to “Phatten” Channel, Drums, Vocals, Synths, or an entire mix with just a few controls. Behind this simple interface lies very very complex processing.
AmpliTube software has forged a formidable reputation over the years for offering a comprehensive array of digital tone-tweaking tools, but AmpliTube 5 promises to eclipse its predecessors with with a newly designed GUI that is fully scalable and supports Retina displays, an enhanced user experience, and more gear. A lot more gear. All in, there are 129 new models, making for a total of over 400 gear models in the AmpliTube 5 MAX version, plus cabinet section that has been retooled using IK Multimedia’s new Volumetric Impulse Response (VIR) technology, improving power amp/speaker cab interactions for more authentic tone and feel. The VIR tech was developed by measuring 600 IRs per speaker of every existing and new cabinet model, making for 143,000 IRs in total, allowing for a three-dimensional grid interface for mic placement. You can also now import and load your own IRs. Also new to AmpliTube 5, we’ve got an expanded, fully configurable signal chain that allows you to deploy a wet-dry-wet configuration and experiment with more complicated setups – series and parallel routing? Fill your boots.
Hammond B-3X is the next-level organ virtual instrument that delivers an unprecedented new degree of realism and detail to give musicians full immersion into the electro-mechanical Hammond organ experience with all its soul, passion and vibe. Created in close collaboration with both the Hammond Organ Company, of Chicago, Illinois, and Suzuki Musical Instruments Mfg. of Hamamatsu, Japan, the Hammond B-3X instrument captures the authentic sound and vibe of the legendary Hammond B-3, with a comprehensive, wholistic approach. The end result delivers the full sonic impact that this legendary organ has made on generations of musicians and modern music as we know it.
Irid is a creative reverb plugin that excels at resplendent textures and shimmering ambiances. With a specialized reverberation algorithm at its heart and 3 tunable voices with feedback control for added flexibility. Thanks to its carefully designed Feedback, Size, and Diffusion controls, Irid’s reverberation processor is remarkably versatile. It can do anything from grainy delay-like effects to rich and lush sounding spaces. The 3 tunable voices – generated from the reverberated signal itself with two pitch shifters and a frequency shifter – allow for marvelous shimmer effects and beautiful harmonic textures, as well as dissonant and dark ambiances. Each voice features an output level control and a ‘reverse’ option for expanding the timbral possibilities by time-reversing the sound grains. As with any Tritik plugin, the interface is fully scalable and compatible with high-resolution screens. Also, the control layout is organized in an intuitive and uncluttered way, making Irid very easy to use.
Introduction: Available for all major plug-in formats, including VST 2, VST 3 and AAX for macOS and Windows plus Audio Units for macOS, GŌN (rhymes with “lone”) is a free software goniometer that authentically replicates an analog oscilloscope experience while keeping complexity at bay. This “phase scope” plug–in quickly conveys global trends and troubles, with a visual out–of–phase warning built in. Plus, an optional autogain feature insures that you’ll see an understandable display with a very wide range of input amplitudes.
The EQ232D is a faithful plugin recreation of one of the most respected analog mastering EQs of the new millennium! The original hardware EQ232P MKII on which it is based is renowned for delivering the lush, supple bottom and clear, smooth top end of the legendary Pultec EQs—but with a clean and modern twist that’s perfect for contemporary styles of Hip Hop, EDM, Pop, or even Metalcore. This precisely modeled plugin version of instant classic mastering-grade EQ is no different. Like the analog original, it offers the incredible low and high-end shaping capabilities of the best passive EQ designs ever devised, along with the precision, detail, and features of a high-end 21st-century design.
We are happy to announce that the CrispyTuner and its pitch correction algorithm!
Total Posts: ❨ 🎵➡2953 ❩ | Paged: ➡ 415
