Vintage Effects Suite v2.008 WiN

Team R2R | 14 May 2019 | 13.60 MB

(Win32/64; VST)

VINTAGE STYLE EFFECTS BUNDLE VST plugins Corvex, Ecox and Filtox are all based on the same intuitive control concept and authentically reproduce the natural, full sound of analog tools. Vintage Effects Suite The Vintage Effects Suite expands the effects range. with aChorus/Flanger, a delay and a filter plug-in, Corvex, Ecox and Filtox, all of which are based on the same simple operating principle and will wow you with their incredibly exciting effect sounds.

Dither v1.0.1.0 WiN MAC

Team R2R | May 12 2019 | WiN: 4.5 MB | OSX: 4 MB

PLATFORMS: WiN32/64 – VST/VST3/RTAS/AAX(MODiFiED) | Mac: AU/VST/VST3/RTAS

Sonoris Dither is a professional, high quality audio plugin for mastering purposes. With this plugin you can quantize audio to a lower bitdepth with dither and/or noiseshaping. The dithertype is selectable between TPDF and High Pass (HP) TPDF. TPDF is short for Triangular Probability Densitity Function, a form of dither that eliminates non-linear distortion during re-quantization and has no signal modulation artifacts.

Mastering Equalizer v1.0.4.0 WiN MAC

Team R2R | 13 May 2019 | WiN: 4.9 MB | MAC: 4.2 MB

PLATFORMS: WiN32/64 – VST/VST3/RTAS/AAX(MODiFiED) | Mac: AU/VST/VST3/RTAS

The Sonoris Mastering Equalizer (SMEQ) is a parametric equalizer in VST, AU, AAX and RTAS format for Windows and Mac. It has selectable linear phase or minimum phase operation per band. The plugin is suitable for mixing and especially mastering and features 7 bands, including lowpass, highpass, peaking and shelving filters.

Mastering Compressor v1.0.2.1 WiN MAC

Team R2R | 13 May 2019 | WiN: 4.6 MB | MAC: 4.0 MB

PLATFORMS: WiN32/64 – VST/VST3/RTAS/AAX(MODiFiED) | Mac: AU/VST/VST3/RTAS

The Sonoris Mastering Compressor (SMCP) is a wideband mastering compressor in VST, AU, AAX and RTAS format for Windows and Mac. It is an ultra clean compressor suitable for delicate material. No odd harmonic distortion that can be found in most compressors is present in the SMCP. To reduce residual artifacts the SMCP features upsampling of the audio up to 8 times. Transparency can be further enhanced by selecting auto-release and feedback detection together with two soft knees. If a more aggressive behavior is needed you can for example choose feedforward detection with a harder knee. It can have some “character” if pushed. If needed, the audio can be warmed up with even harmonics with the flip of a switch.

Multiband Compressor v1.0 WiN MAC

Team R2R | 13 May 2019 | WiN: 4.5 MB | MAC: 3.5 MB

PLATFORMS: WiN32/64 – VST/VST3/RTAS/AAX(MODiFiED) | Mac: AU/VST/VST3/RTAS

The Sonoris Multiband Compressor (=SMBC) is a versatile three band compressor in VST, VST3, AU, AAX and RTAS format for Windows and Mac. It is an ultra clean processor, suitable for delicate material. It has three independent frequency bands, each followed by a compressor based on the Sonoris Mastering Compressor. The three bands are created with carefully designed Linkwitz-Riley crossover filters to avoid phase cancellation problems while having a very natural, analog like quality. By design they mix back flat. Unlike linear phase filters they don’t introduce ringing artifacts and are more efficient in use.

Stunning Phaser v0.5.2 WiN MAC

Team R2R | May 03 2019 | WiN: 3.4 MB | OSX: 4.2 MB

Stunning Phaser is an extremely high quality, stereo (or mono), internally oversampled, VST/AU phaser effect plug-in. In addition to the usual LFO, Stunning Phaser also offers a very organic and dynamic sounding envelope follower, multiple LFO waveforms, and our very own Gliss-quanti™ — an automatic sample-and-hold function that divides LFO waveforms up into discreet steps for exciting new possibilities you’ve never heard a phaser do before!

SCAMP VST v1.3.2 WiN MAC

TEAM R2R | 02.05.2019 | WiN: 3.2 MB | MAC: 4.0 MB

SCAMP is a resonant low/high-pass filter plug-in VST effect for Windows with a very convincing, classic sound. SCAMP features a separate envelope follower for each of 6 channels, a host-syncable LFO with multiple waveforms, as well as our special Gliss-quanti feature for creating staircased LFO waveforms from the basic waveshapes. Also supported is full automation and MIDI CC control of all parameters. SCAMP more closely models the actual circuit paths of real world analog circuits than most other common digital filter designs. For this reason it is also a far more processor-intensive effect, expect SCAMP to require processing power similar to the level of a powerful soft-synth. It may not be for every day use (or it may well be, depending on the type of music you make!) but on those days when you really want “the vintage filter sound”, SCAMP is the way to get it!