Bad Tape v1.0.1 WiN MAC

SYNTHiC4TE | Dec 04 2019 | 21 MB

MAC: VST, VST3, AU, AAX | WiN: VST, VST3, AAX

“A Tape Harming Effect Plugin”.

Its focus is on creating extreme tape artifacts. The inspiration for Bad Tape came from denise team member Enrico ‘nrec’ Tiberi: “I was using a lot of my old Akai 4000 DS MK2 reel to reel tape recorder pressing the tape to slow it down as an effect and that made me want a plugin that could control how to break the sound without having to use my fingers each time and without all the cables and fuss that analog hardware inevitably brings”. Combining a good old vintage tape sound with harming features makes Bad Tape a creative and versatile tool. Want an “out of tune and off the grid” beat or a wonky drum groove? Just keep the detune button pressed and it will create a tape-stop in real time. Press it shortly for slight slow-downs and speed-ups, or use wow and shake to make it go in and out of tune and go off grid periodically. Use the mix knob to create tracks that are heavily saturated and detuned, with additional interesting tape artifacts like hiss, squeal and harm. Bad Tape can be used to color and detune your whole track, or it can be applied to just one bar at the end of a section to help introduce some variation and lead in the next section of your song.

PsymmetrixDelay v1.2.4 MAC

DDP | Jan 01 2020 | 8.8 MB

AU, VST2, VST3, 64Bit

PsymmetrixDelay is a tempo synced delay, featuring LFO controllable pan & pre/post feedback filter stages, with buffer locking for extreme stutter effects.

MFM2 v2.2.1.3898 WiN MAC

TEAM R2R | 01.01.2020 | 21.99 MB

PLATFORMS: WiN32/64 – VST/VST3/AAX | MacOSX – AU/VST/VST3/AAX

More Feedback Machine has always been a synonym for ultra-flexible delay effects ranging from bread & butter to weird rhythmic deconstruction. In the early days of native plugins, MFM1 was well ahead of its time. MFM2 carries on the tradition and extends it into the future. The idea behind MFM was to give the musician as much control over 4 individual delay lines as possible, have them interact, and offer easy ways to modulate delay parameters in realtime.

U-he Uhbik v1.3.1.3898 WiN MAC

TEAM R2R | 01.01.2020| 67.49 MB

PLATFORMS: WiN32/64 – VST/VST3/AAX | MacOSX – AU/VST/VST3/AAX

Uhbik is our fine collection of effect plug-ins for the discerning audiophile. Each surround-capable effect comes wrapped in a beautiful, streamlined interface. The entire bundle of nine effects is available now at an unbeatable price…

Pedal MULTiDRiVE PRO WiN

Team R2R | 🌟HAPPY NEW YEAR!🎉 | 62.5MB

.: AAX, VST, VST3: x64 :.

Sharpen your sound with the set of 12 legendary stompboxes.

You can never have enough pedals in your studio. There are thousands of stomp boxes on the market of different sound, purpose and quality. We chose 12 legendary pedals to revive the legacy of the famous DSound Stomp Boxes and Pedals and created MultiDrive Pedal Pro – the perfect combination of distortion, overdrive, fuzz & boost is the right blend for your studio developed by professionals.

Auto-Tune Pro v9.1.0 WiN

Team R2R | 05 Jan 2020 | 101.5 MB

(Win64; AAX*, VST3, VST)

Auto-Tune Pro is the most complete and advanced edition of Auto-Tune. It includes both Auto Mode, for real-time pitch correction and effects, and Graph Mode, for detailed pitch and time editing. For twenty years, Auto-Tune has been the professional standard for pitch correction, and the tool of choice for the most iconic vocal effect in popular music. Now, with the introduction of Auto-Tune Pro, it’s more versatile and easy to use than ever before, thanks to a totally redesigned interface and powerful new processing, editing, and navigation features. We’ve added automatic key detection with the new Auto-Key plug-in (included with Auto-Tune Pro purchase), Classic Mode for the “Auto-Tune 5 sound,” and real-time MIDI Control.

Pioneer DJ RMX-500 Plug-in WiN MAC

RET/P2P | 2016/02.03.2020 | WiN-v1.0.1: 3.1 MB | MAC-v1.0.2: 8.5 MB

Unlocked for installation without hardware

RMX-500 Plug-in is a plug-in software application. To use this software, the plug-in must be running within a host application supporting the plug-in (VST or Audio Units). By using RMX-500 Plug-in, the same effects as during DJ performances can be used on a music creation application. In this way, the RMX-500 can be connected to a computer and used as a controller, so the various functions can be used to create music intuitively, in the same way as when holding DJ performances.