bx_aura is the new standard for creative reverbs, featuring five distinct algorithms packed with intuitive parameters for unparalleled creativity, flexibility, and control. For producers looking to create the perfect atmosphere and sound artists exploring sonic frontiers, bx_aura delivers a new world of reverbs.
The oberhausen draws deep extensive experience of working with analog audio equipment to creatively craft world class mixing and mastering plugins. As the cutting-edge company’s highly-anticipated first Virtual Instrument, it effectively revisits an acclaimed analog synthesizer expander module much loved by generations of musicians for its sought-after sound. The sound itself is reliant on fully-analog, discrete circuits and a classic state-variable 2-pole filter. Some of the key features which have never been done before on this synth is a powerful unison mode, M/S Technology.
The RRS FUSE Stereo Image plug-in brings mid-side circuit to your DAW, for spatial manipulation of the stereo field.
AQ550 3-Band Equalizer. The AQ550 faithfully captures the punch, low-frequency transparency, and ultra-tight imaging of iconic American EQs of the late 1960’s. Making use of Proportional Q intuitively widens the filter bandwidth at minimal settings and narrows it at higher settings without the need for additional bandwidth controls. This unique feature minimizes the «phase-shift» sound found in many equalizers. The AQ550 provides reciprocal equalization at 21 points in 5 steps of boost to a maximum of 12 dB of gain at each point. The 21 equalization points are divided into three overlapping ranges. The high and low frequency ranges are individually selectable as either peaking or shelving, and a band-pass filter may be inserted independently of all other selected equalization settings. Frequency ranges and boost/cut are selected by switches, and a pushbutton «IN» switch allows the EQ to be silently introduced to the signal path. A small toggle switch is used to insert the band-pass filter into the AQ550.
HY-Filter4 is a semi-modular type effect plugin. It contains multi-engine filter + built-in 38 effect units + 10 types of modulators + the CTRL SEQ. You can modulate parameters of the main filter, bult-in effects and modulators by using the modulation units. In addition, these are controlled by the CTRL SEQ which is a grid sequencer.
EQ173 Preamp & EQ. Red Rock Sound EQ173 is based on introduced in 1970, this hallowed class-A, transistor mic/line amp with EQ epitomizes the beautiful sound, with unparalleled clarity, sheen and bite. Save time and avoid tedious manual workarounds with EQ173 plug-in designed from the ground up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed channels) of immersive mixing environments.
With its rich and colorful tone, the reputable A/DA Flanger was one of the first commercially produced flanging effects to be released in the late ´70s. Since then, it’s become a benchmark for all the other flangers out there. Whether you are going for something extreme or more musical, this little box of flanging wonders easily delivers on every front. A hallmark staple in countless guitarist’s toolkits, the A/DA STD-1 Stereo Tapped Delay is now available in all major native formats. Featuring a great selection of six delays, versatile LFO and modulation controls and the incredibly useful flexible panning, this is the delay to use when it comes to getting a richer guitar sound or adding life to vocals and much more! Emulated by Brainworx from the legendary rack hardware unit, the digital version of the A/DA STD-1 is a meticulously crafted recreation that can tackle all of your ultra-short delay needs. The A/DA STD-1 is a tapped delay, meaning that it has multiple delay outputs at enharmonic taps in the MN3011 bucket-brigade delay (BBD). It was originally designed for multi-voiced modulated delays (chorus, flange), doubling, ambience effects, and crude reverb.
