You take a pinch of Phat Beats, a suspicion of bass, some seeds of Synthesizer, you make some Construction Kits or you mix the all and you get “Make More House Music”, a compilation of the bests audio elements of the house Music !!!
When I first heard the Proteus/1 I was blown away by its internal demo song. The strings sounded so real to me, one could hear the rosin on the bow and the friction of it on the strings of the violins. One of the peculiar things about the Proteus is the fact that many patches seem to emulate Roland D-50 patches, but not Korg M1 patches.. Both instruments were the instruments “to beat” at the time. I wonder why the programmers only focused on the D-50 and didn’t give the M1 sounds a shot.
The EX7 features a unique Extended Synthesis system which incorporates a number of the most advanced tone generator technologies currently available…plus a full-featured sampling system. It offers a Four-Element Voice structure which allows for up to four independent waves from any of the tone generators. The tone generators implemented here include AWM (Advanced Wave Memory) Synthesis, AN (Analog Physical Modeling) Synthesis and FDSP (Formulated Digital Sound Processing) Synthesis. According to Yamaha: “AWM is Yamaha’s original system for effectively using sampled waveforms in synthesizers and tone generators. The strength of AWM synthesis lies not only in its extraordinary ability to “shape” and control the sound of the samples with a comprehensive system of envelope generators, filters, key scaling parameters, modulation, and more. AWM voices can have from 1 to 4 AWM elements. Each AWM element can use a preset wave or a sampled waveform. The ability to combine AWM elements means that you can, for example, combine separate samples for the attack and sustain portions of an instrument’s sound, with independent control over each.
The Audity 2000 takes its name from the classic and one-and-only Audity, but that’s about it. Although, the Audity 2000 has the same synthesis architecture as the Proteus, and the Proteus’s synth chips were designed with the original Audity in mind. The Audity 2000 is a digital synth with an unprecedented 16 simultaneous arpeggiators. That’s great for trance and techno! With an emphasis on electronic groove music, the Audity 2000 offers up many dance type sounds but with an uncomfortable digital “tinny” overtone. Its 12-pole digital resonant filter is nice…but it’s no Moog.
ALPHA DANCE 1 features great ORIGINAL material for creating COMMERCIAL dance music. Ready-looped, ready-mapped.
Over 800 STEREO layered Pads, Single-chord Pads, Phasing and Chorus Analogue Pads, Trance and Ambient, Orchestral Strings and much much more… An excellent companion to other CDs in the superb XX-LARGE series. Single Chord Samples, Atmos Pads, Voice + Choir Pads, Rave Pads, Multi-samples, Digital Pads. AKAI S1000 Format.
“Sometimes what makes the difference between a ho-hum mix and a killer one are those little bits of audio that you blend in with the beat to grunge it up and give it an edge. You could plug in a guitar and a fuzzbox, scrape the strings with a pick for a while into a DAT machine, and then slice and dice the results or you could grab a copy of Things That Go Bump in the Night, Vol. 2” – Keyboard Magazine
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