The “BA-73” library contains Nebula preamp/console style gain stage coloration programs based on the BAE 1073mp preamp. Measurement data was acquired via Prism Orpheus conversion, Vovox cables, Avedis Audio adapters, Rothwell attenuators, and the Creative Audio Labs MW1 Studio Tool.
The “N-TEN-AT4 For Nebula” consists of 42 programs: all sampled at 96kHz and tested to retain accuracy at 44.1kHz and 48kHz sample rates with the latest version of Nebula3 Pro. The “N-TEN-AT4 For Nebula” faithfully reproduces all aspects of the hardware eq’s character, from clean to slightly driven amplification stages through the wonderful original Neve input and output transformers and Class A to A/B amplification, and inductor-based eq circuitry. Every detail has been captured for repeatable digital use inside your favorite DAW. CDSoundMaster N-TEN-AT4 EQ and Console Channel Strip For Nebula Pro-MAGNETRiXX screenshotThe “N-TEN-AT4 EQ/CONSOLE COMBO” consists of 42 programs: You will find these in your CDSoundMaster N84 category.
Uses input and output custom designed R.N. transformers, which are much of the heart of the sound of Mr N s classics. We’re not sure what magic is inside of this EQ, but everything we send through it immediately sounds good… This is a fantastic eQ !!!
FatZu Analog Tape Emulator is a modern digitally controlled analog device that offers many of the “musical non-linearities” exhibited by the older tube, class A discrete, and magnetic tape mediums. The unit has several compressor “types” with fixed attacks and releases. The unis has been enhanced for better sound characteristics.
Designed in 1974, the vintage N64 mono Limiter/Compressor unit quickly became a legend by achieving secret-weapon status among studio professionals, thanks to its unique sound and functionality. Discrete, Class A/B design and transformer-coupled circuits used in the input ensured a totally unique sound. This unit is still sought after, decades after production stopped, and they remain one of the milestone pieces of studio equipment.
So you want arguably the cleanest channel strip that money can buy on your vocals? Haven’t you heard that just about every major studio has one and that they often use it on the master bus. This superlative chain of a Pre amp fed into the most transparent analog eq may be the ticket. With wide overlapping bands the tone shaping capabilities of this strip are just nothing short of incredible. The preamp alone although very transparent allows through much of the low end that other preamps shave off and with an extended high end will give your tracks a beautiful lift. Sculpted to simply place on your master bus, listen to your mixes take on a wonderful colour. You will appreciate the extra clarity you get in the top end as well. This channel strip is made for high resolution mixing and imparts very little evidence that it was there apart from a slight hardness. It is not soft but razor sharp in character. With a superb impulse response and extraordinary precision, your mixes will just shine no matter how busy things get. From country, to R & B to folk and everything in between, sculpt your track with the ease of a high end studio. Again for more flexibility use a transparent vst EQ in front of the preset to sculpt your sound.
This is an exquisite sampling of an EQ that has graced many a great album. This is an exquisite sampling of the tone of a famous Equaliser with a wonderful valve tone. You can now easily get closer to the original hardware’s sound by using this set in conjunction with the highly accurate T-racks ™ Vintage Tube Program Equalizer or the UAD offering. Full commercial package size is 432 MB. Provided at 192 khz, 96 khz and 44 khz.
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