PitchLoop89 is a new pitch-shifting device inspired by the Publison DHM 89, created in collaboration with Robert Henke. Experiment with jittery glitch effects, delayed digital shimmers and outlandish vibrato in the studio or onstage.
This entry in my Real Spaces series includes some rooms from a completely empty house, with hardwood floors throughout. Two bedrooms of similar dimensions were sampled as make-shift echo chambers. Two different (and different sounding) mics were used in each, with mic#2 being placed in the closet of each room. This created four different room reverbs for use in Nebula. There are also two different stereo combo programs which combine the samples in different ways to make the stereo effect. The first uses both mics, as the rooms were actually sampled. The second combines both rooms for each mic (so you’re actually hearing one room in the left channel, and the separately sampled other room in the right).
‘Tokyo’ delivers a cutting-edge collection of Trap sounds infused with a sleek, modern aesthetic. This pack is loaded with hard-hitting 808s, crisp hi-hats, and hypnotic melodies inspired by the vibrant energy of Japan’s capital. Expect atmospheric pads, haunting leads, and dynamic drum patterns that create a captivating sonic experience. Designed for producers seeking a blend of traditional Trap with a futuristic twist. With a diverse selection of high-quality loops and MIDI files, ‘Tokyo’ provides everything needed to create dark, moody vibes or high-energy bangers. Its refined, contemporary sound ensures your beats stand out in any production.
Introducing “DAWGS” – a powerhouse Trap pack brought to you. Get access to the heart of modern Trap with this collection of five expertly curated construction kits, each bursting with dynamic sounds and innovative elements. From thunderous 808’s that rumble the earth beneath your feet to razor-sharp hi-hats that slice through the mix with precision, “DAWGS” delivers a comprehensive arsenal of tools designed to fuel your creativity. Whether you’re crafting hard-hitting bangers for the club or crafting atmospheric beats for late-night vibes, these kits provide the perfect foundation to build your tracks upon. Inside “DAWGS,” you’ll find an array cleanly crafted loops and samples, including pounding drum patterns, hypnotic melodies, gritty synth leads, atmospheric pads, and much more. Each element is professionally processed and primed for instant use, allowing you to dive straight into the creative process without any barriers. With its fusion of cutting-edge sound design and authentic Trap aesthetics, “DAWGS” is the ultimate toolkit for producers looking to make a statement in the world of modern Trap music. This pack provides everything you need to bring your productions to life with intensity, energy, and undeniable style.
First launched in 1970, the 1073 modules have established themselves as one of the most sought after mic pres in the history of recording. The module features a Class A amp with 3 bands of creamy Eq. Get the real vintage sound, with St.Ives/Marinair transformers and Motorola power transistor… Not a modern reissue or a clone with cheap electronic components… The legend lives on !
An echo chamber is a reverberant real space, which is used to add reverb to any audio signal. This is done by playing the signal into the space through a speaker, and picking up the audio from that space with at least one microphone. The speaker/mic are usually arranged such that very little signal can travel directly between them, with the sound waves having to bounce off of the walls (becoming diffuse) at least once before reaching the mic(s). In other words, mostly just the reverberation of the space itself is captured. This new, reverb heavy aka “wet” signal can then be mixed back in with the original dry audio to taste. In this release, two more echo chambers at two additional studios were sampled for use with Nebula in this library. I’m giving them unique preset names to help you differentiate between them. The first one in this release is called “Sandman’s Den” and it has a gloriously big, smooth sound to it. The chamber is about 14 x 16 feet with an 8 foot high ceiling. It has a concrete floor, with concrete block walls. It was sampled with the door into the room both closed and open, open providing slightly less density and quicker decay. This incredible chamber was captured with a stereo mic setup.
An echo chamber is a reverberant real space, which is used to add reverb (not distinct ‘echoes’) to any audio signal. This is done by playing the signal into the space through a speaker, and picking up the audio from that space with at least one microphone. The speaker/mic are usually arranged such that very little signal can travel directly between them, with the sound waves having to bounce off of the walls (becoming diffuse) at least once before reaching the mic(s). In other words, mostly just the reverberation of the space itself is captured. This new, reverb heavy aka “wet” signal can then be mixed back in with the original dry audio to taste.
