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We wanted to be able to give everyone their own piece of the ZionDSP sound, so we created this little guy! Some warm, deep drive combined with a splash of smooth EQ, and you get a little plugin that packs a lot of punch!
Need a little filter with a lot of options? SpectraOne is based on ZionDSPs custom filter algorithms that provide a very smooth filtered sound, with as much resonance as you can handle! Selectable roll-off slopes, multiple filter modes and an added drive stage all combined to give you to specific sound you’re after.
A Virtual analog synthesizer featuring a range of tempo-based modulation options.
Version 1.6 of iFace, an interface plug-in for RedWirez impulse response libraries. iFace is here to change the way you interact with your RedWirez impulse response libraries. Be done with the manual navigation methods of the past, and discover the best interface for one of the best IR libraries around!
The mixIR2 allows you to mix multiple IRs with minimal fuss and no loss of performance as you stack IRs. Now you have the power to sculpt your guitar sound like never before. Mix mics, cabinets, reverb, EQ curves, and more with ease at levels of performance unrivaled by any other convolution plug-in.
The Focusrite Guitar FX Suite provides eleven Guitar FX plug-ins. These include five of the world’s finest guitar amp models and four distortion pedal effects, all courtesy of bespoke Italian software company, Overloud. A Hot Tuna guitar tuner and Smart Hum Remover are also provided. The amp models include plug-ins based on the Vox AC30, Marshall JCM900, Fender Twin, MESA Boogie Rectifier and the Fender Bassman. The pedal models include plug-ins based on the Boss DS-1, the Ibanez Tube Screamer, the Electro Harmonix Big Muff and the Dunlop Fuzz Face. The amp and pedal models utilise Overloud’s analogue modelling technology, which faithfully reproduces every detail of an analogue tone. It also ensures perfect reproduction of parameter behaviour, so you always feel like you’re controlling the real hardware. With Overloud’s analogue modelling technology, each component of the schematic has its own mathematical model. After this rather raw scientific step, the resulting tone is fine tuned by ear. Overloud don’t, unlike many modelling companies, use standard widely available DSP techniques to obtain a tone that only vaguely resembles the original one. Instead, custom developed non-standard DSP techniques reproduce every detail of the original tone.