Melodyne Studio v5.3.1 WiN

TeamFuCK | 09 March 2023 | 45 MB

PLATFORM: STANDALONE/VST3/VST/x64

New technologies, for better results in less time. Thanks to the fundamentally improved “Melodic” algorithm, Melodyne makes your vocal editing even better than before. With perfect, natural corrections at the press of a key. Thanks to the Chord Track, you can adapt notes with lightning speed to suit the song – chord recognition included. And with the unique Fade Tool, you can create note-based fades – even in polyphonic recordings and samples.

Big Clipper v2.1.0 WiN MAC

Team R2R | 03 July 2024 | WiN:20 MB | MAC: 41.5 MB

MAC: AU/VST/VST3/AAX | WiN:  VST/VST3/AAX/x64

Big Clipper is what you get when you take a clipper and inject it with growth hormones, and then add a little extra MSG on top. Clipping is a great way to transparently control the peaks of your tracks. When done subtly, clipping will make compressors and reverb sound more natural down the line, and give your mix an overall cohesive feel. But clippers have one glaring issue: They really fall apart when you push them too hard. There seems to be a very thin line between adding cohesion and breaking apart into a distorted mess. That’s where Big Clipper comes in. Big Clipper gives you the controls to be able to push it hard without breaking apart. Whether you need subtle clipping or heavy overdrive, Big Clipper handles it with ease.

Soft Clipper v1.2.0.4 WiN

Team R2R | 30 June 2024 | 15.8MB

Give your tracks that loud, yet clean, release ready sound. NOT JUST ANOTHER CLONE. Inspired by the original, reimagined, and optimised to give beat makers and music producers everything they need to get the ultimate energy from the mix. Soft Clipper, a tool designed for those who make R&B, Rap, Drum and Bass, or edgy Pop—you name it.

Raummaschine v1.1.8 MAC

Team HCiSO | 29 June 2024 | 45.93 MB

…: Analog Reverb Unit :…

What is Raummaschine? Immerse yourself in a unique soundscape – with our breathtaking Raummaschine. We present you with a world of fascinating echoes and floating resonances that transform your music into a truly magical experience. The Raummaschine brings the legendary algorithm of our tube reverb, the Raumzeitmaschine, as a plug-in directly into your DAW. Written in C++ and assembler for optimal resource usage of your system. Never has a reverb sounded so good while causing so little CPU load.

EQP-1A v2.0.2 WiN

BUBBiX | 25 June 2024 | 6.3 MB

Save time and avoid tedious manual workarounds with EQP-1A, Classic Program Equalizer plugin designed from the ground up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed channels) of immersive mixing environments. The EQP-1A based on Classic Program Equalizer from the ’60s, original EQ is renowned for its unique ability to boost and cut the same frequencies simultaneously, thereby creating a resonant shelf, the EQP-1A faithfully models the overbuilt transformers and complex tube amplifiers of the original hardware. Conceived and created for broadband equalization, the EQP-1A features four low boost/cut frequencies, three high-cut frequencies and seven HF boost points, along with a bandwidth control for shaping the high boost curve. Surround profiles do not work correctly in Logic Pro, this is due to a bug in Logic Pro compatibility with AUv3 on multi-channel tracks (When Apple fixes this, our plugin will work correctly). AUv3 on multi-channel tracks works absolutely right in Reaper.

EQ3 v3.5.3 WiN

BUBBiX | 26 June 2024 | 99 MB

..: AAX, VST2, VST3, x86, x64 :…

In the ’80s it was the first to use a different approach to tonal adjustments. In conventional analog equalizers, whether they are shelving, sweepable, graphic or parametric types, various sections of the audio spectra are boosted or attenuated by adding or subtracting bandpasses. In this case, frequency shaping is achieved by summing bandpasses. Our emulation of this method is quite similar to the original and improved with additional possibilities of digital technology. Now you can hear it for yourself. There are five broad, overlapping, interacting bands: 10 (Sub), 40, 160, 650 and 2.5 кHz, along with the «rock (airy) band» control, which is an HF boost-only control. When using the EQ3, remember that the bands are broad, approximately 2 octaves. They overlap one another. For example: when boosting the 10 kHz «rock band» to a +6 position on the knob, to keep the response flat through in 2.5 kHz region you should rotate the 2.5 kHz coarse knob to about a -1 position. The amount you back off the 2.5 kHz control should, of course, be set by ear. Following this kind of procedure will accomplish a more airy sound, with much more clarity.

SA360 v1.5.2 WiN

BUBBiX | 24 June 2024 | 18.8 MB

..: AAX, VST2, VST3, x86, x64 :…

SA360 Immersive Spectrum Analyser. SA360 real time 1/3 octave Spectrum Analyser and EQ302 32 band Graphic Equaliser combine ease of use, accuracy and versatility in one economical, reliable unit. The SA360 extends the features of the original hardware and joins the flexibility of the digital world to the character of the analog processing. The SA360 plugin designed from the ground up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed channels) of immersive mixing environments.