Z3TA Plus 2 v2.2.120 MAC OSX

TEAM R2R | 2016.03.10 | 60.51 MB

Description: The legendary waveshaping sound of Z3TA+ (zay’-ta) is back – and better than ever. New filters, modulatable waveshapers, flexible effects, expressive control and a gorgeous new interface make Z3TA+ 2 one seriously powerful synth. It’s not often that a soft synth can be called a classic, but in the case of Z3TA+ it’s definitely appropriate. Used on countless tracks over the past decade, Z3TA+’s distinctive sound has been a staple of electronic artists the world over.

TS-1 Transient Shaper v1.1.0 WiN MAC

Team R2R | March 10 2016 | WiN: 13.2 MB | OSX: 25 MB

AAX AU VST

TS-1 is a frequency dependent transient shaper designed to manage the attack and sustain of an incoming audio signal. Thanks to our “Compression by Saturation” concept, TS-1 works great to add warmth and punch to your drum tracks without losing dynamics. TS-1 features two separate detection circuits for Attack and Sustain, whose signals can be filtered to improve the detection (SC filtering) or to color the processed audio. A soft clipping circuit will gently saturate and “compress” your signal, in a similar way to a tape saturation.

Ambi Head v1.0 AAX AU VST WiN MAC

Team R2R | March 07 2016 | WiN 9.5 MB | OSX 4.6 MB

Ambi Head is a professional plugin for converting ambisonic signals into 3D binaural audio. It allows manipulations of 3D scenes (rotations and control of spatial width) and contains HRTF filters specifically designed for immersive listening and accurate reproduction of B-format signals. Custom HRTF filters can be loaded via the integrated SOFA importer, letting users choose “custom heads” for personalized binaural rendering. An integrated Goniometer provides visual display of the binaural output (Lissajous display) giving meaningful insights into the scene spatial properties.

Channel Strip Collection for Studio One

Team R2R | 04 Mar 2016 | 30.1 MB

The Channel Strip Collection provides two new channel strip plug-ins with preamp, compressor, and EQ that let you add a distinctive character to your tracks and mixes. The RC 500 plug-in models the company’s popular RC 500 channel strip, which includes a low-distortion, high-gain, solid-state Class A preamplifier; custom-designed FET compressor; and custom semi-parametric EQ. PreSonus’ VT1 plug-in includes a modeled high-end tube preamp, along with the compressor and EQ. The compressor and EQ for both plug-ins have been engineered to deliver musically tasteful results, even at extreme settings. In this, they differ from more analytical-sounding plug-ins designed purely based on physical aspects.

Audio Damage 914 Fixed Filter Bank v1.1.0

ASSiGN | 7.3.2012 | WiN: 9.46 MB | OSX: 5.39 MB

The Audio Damage 914 Fixed Filter Bank is a faithful recreation of the Moog Modular Synthesizer’s 914 module, and a major upgrade to our original 907A plugin. This plugin creates unique filter textures by passing the signal through twelve band-pass filters, as well as a low-pass and high-pass filter.

PD2016 Stereo Room v1.02 VST WiN

Team DYNAMiCS | 01/01/2010 | 1.59 MB

These are the Plate Reverb and Stereo Room reverbs from the Reverb 2016 triple-reverb set; ported to VST (for Windows only). They look and sound the same as the Digidesign Pro Tools plug-in.

Resound v1.7.3 WiN LiNUX MAC

Team R2R | 7 Feb 2016 | LiNUX: 15.7 MB | OSX: 16.5 MB | WiN: 15.3 MB

AU AAX VST RTAS

Resound is a software audio delay effect processor that emulates the sound and operation of vintage magnetic-tape echo units. Whilst not a direct copy of any one particular model, it takes features from several of the classic delay devices, and unites them into a convincing and pleasingly retro sounding effect. Resound not only models the characteristic mechanical noise present in hardware magnetic-tape units, but also allows the noise to be controlled; from gentle warmth and distortion, to noisy, gritty, and unstable. The sound can be shaped further using the moveable highpass filter. And with feedback set beyond a certain intensity, Resound is even capable of self-oscillation.

Resound’s echoes can either be synced to the host tempo (expressing delay times as musical subdivisions of a beat, each echo will be exactly in time with the host) or in free-time mode (allowing any delay time, up to 2 seconds.) The reverse mode adds further flexibility: by playing each delay backwards, Resound can produce unique effects beyond what hardware magnetic-tape units are capable of.