All-in-one Guitar Plug-In Suite. The most advanced modelling algorithms, users can experience real-time simulations. Our software uses internal circuit simulations from the schematic’s of the specific amplifier’s…
Redline Reverb is a fully algorithmic and true stereo reverb with possibilities far beyond the conventional – check out the 112 factory presets for a comprehensive showcase of what it can do. Unlike conventional algorithmic reverbs, Redline Reverb does not need separate plate, hall, and room algorithms. Instead it features a comprehensive yet intuitive parameter set that allows you to easily recreate any given reverb characteristic, leaving you free to create lush smooth vocal reverbs, convincing room simulations, almost infinite reverb tails, synth pad and delay effects, and everything in between.
The original KLEIN & HUMMEL UE-100® EQs are extremely rare and expensive. But Rafa Sardina – who has 12 Grammy wins and 35 nominations – owns 10 of them! What is so special about this weird and wonderful device? For some time, hardware equalizers had to each be developed with a specific purpose in mind, requiring engineers to combine different EQ types in one signal chain in order to achieve the frequency response they needed on any given source. They would have to accept the necessary evil of the resulting phase and intermodulation distortion when treating these sounds. When released in 1961, the Klein & Hummel UE-100 Universal Equalizer changed all that. This all-tube minimum phase EQ used six discrete filter modules to create a collection of band-pass filters that could create dynamic curves for any application from source mixing to vocal tracking to mastering. While some earlier UE-100s were used to transparently filter out junk low and high frequencies when printing to tape and vinyl, it quickly became commonplace to take advantage of the unique pushbutton frequency selection; this provided an easy way to not only recall settings, but also alter them on the fly while recording a performance. The UE-100 became known for its musically warm curves and precise response, offering a myriad of possibilities for treating frequencies by boosting and/or cutting across the spectrum to shape sounds “like a Pultec on steroids.”
EPs Cascade is based on highly esoteric vintage components combined in a truly unique circuitry. It is anything but your typical audio processor. EPs Cascade is an amazing toolbox which will open the world for creating the most interesting sound flavors. The beauty of this approach is that it did not have to follow any rules at all. EPs Cascade uses very interesting NOS (New Old Stock) components which are everything but standard in audio applications, and the novel circuitry is a creative celebration of its own. All in all, this gives you the perfect basis for creating truly wonderful, new and unheard sounds. Now you can spice up virtual and natural instruments at ease, transmuting standard sounds with all kinds of gritty, organic and aged flavours. There are no right or wrong settings: Saturation, harmonics, distortion, colouration, filtering, interaction, anything goes, and experimenting is as much encouraged as it is rewarding.
Filterstation2 is the take on the classic serial/parallel/stereo dual filter topology, made famous (and some would say “indispensable”) by the Sherman Filterbank and its many clones. With twelve filter algorithms, an envelope follower with stereo sidechain input, a full FSU section for extra signal hacking, and an easy-to-use interface, Filterstation2 is a valuable addition to any producer’s toolkit. Filterstation2 takes our original Filterstation plugin, and adds an all-new HiDpi/Retina-capable vector-based UI with resizability, a completely rewritten parameter and DSP section, a full selection of extreme modification tools, ProTools support, an cross-platform XML preset mechanism.
DSP compressor with groundbreaking attack & release qualities, separate i/o Saturation, and two optional tone circuits. Novatron is an analog-modeled compressor that borrows so many sonic properties from so many different classing hardware units that, ironically, it could only exist in the world of DSP. With separate in/out Transformer Saturation, two optional Tone Circuits, and a monstrous compressor with groundbreaking attack and release characteristics, the Novatron produces the same three-dimensional ‘solidity’ and tone typically reserved for expensive hardware.
Magneto is the perfect tool for Mastering “purists,” achieving analogue warmth without adding any unwanted noise or other artefacts. It is also the perfect creative tool for introducing “soft overdrive” on drums, guitars and many other instruments. The smooth compression resulting from hi-level recording on to tape machines is appreciated by a lot of producers. The developers from Spectral Design measured the behaviour of a Lyrec 24 track tape machine and put this data into the Magneto Plug In. Whenever you use Magneto it is as if you were recording on such a machine.
