Melodyne Studio 4 v4.2.4.001 MAC

CASHMERE | 13 November 2019 | 140 MB

STANDALONE/AU/VST/VST3/AAX/RTAS 32/64

Melodyne is a software application for OS X or Windows with which you can edit audio in a more musical way than was ever thought possible. In Melodyne, you work with notes – and not with a meaningless wave form. You don’t just see where the music gets louder or quieter but also where notes begin and end and at what pitch they lie. You can modify each note and thereby influence directly the intonation, phrasing and dynamics – and do this not only with vocals and monophonic instruments but with polyphonic instruments such as pianos and guitars as well. Working with Melodyne is like being able to say to a vocalist “sing this note a bit longer” or to a pianist “give slightly less weight to the third in this chord” – hours, weeks, even years after the recording session.

MPX Native Reverb v1.0.2 MAC

HEXWARS | 25.12.2014 | 15.7 MB

..:: AU/VST/RTAS 32/64 ::…

For over 40 years Lexicon® has been considered the gold standard of digital reverb and effects processing. Now that same distinctive, smooth, rich “Lexicon Sound” is available in a plug-in specifically designed to take any home or project studio to the next level.

ST1 v1.0.4 WiN MAC

Team R2R | 04.10.2019 | WiN: 3 MB | MAC: 2.32 MB

PLATFORM : WiN/MAC 32/64 – AU/VST/VST3/RTAS/AAX(PATCHED)

ST1 is a simple tool that lets you control the width and the panorama of a stereo audio signal. It includes a mono-to-stereo function, a stereo field enhancer, a rich panning knob that includes spectral panning, and a bass-focus feature. The phase and correlation meter visually monitors the panning position and stereo width.

SOR 8 v1.0.5a WiN

TEAM HY2ROG3N | 15.04.2015 | WiN: 100.65 MB

..:: VST, RTAS, AAX, x86, x64 ::..

Based on acclaimed Distressor® EL-8 Compressor, 500 Series Rack Style. Seeing as how this plugin is based off of the classic EL-8 Distressor analog compressor, we can expect numerous combinations of distortion, compression and side-chaining. This is the type of plugin we would take home to mom.

Space Modulator v1.0.7 WiN MAC

FREE | 04.12.2016 | WiN + MAC: 9 MB

AU, VST, AAX, RTAS, x86, x64

Earth Shattering Kaboom. ValhallaSpaceModulator is our take on flanging. Eleven algorithms allow you to get through-zero flanging, barberpole flanging, detuning, doubling, strange echoes, reverbs, and all sorts of effects that defy description.

VirSyn Matrix v2.1.0 WiN

Team: ASSiGN | 10 JANUARY 2012 | 10.59 MB

Matrix – The Voice Coder is “The Vocoder for the 21st century”.

The Vocoder was invented by Homer Dudley in the mid-30’s of the last century. Dudley worked at Bell Laboratories, and this is where the first Vocoder took shape. The basic function of a Vocoder is characterized by an analysis of the input signal, usually speech but other type of inputs can also be very interesting. In a special filter bank, a spectral analysis is performed and signals are developed which follows the amount of spectral energy in each channel. Another part of the analyzer tests if there are unvoiced or voiced sounds at any particular time and extracts the pitch of the voiced sounds. The output section of the vocoder consists of a stereophonic synthesis filter bank which assembles the new synthetic speech from the characteristic filter envelopes from the analysis stage together with an external or internal replacement signal.

Tube-Tech PE 1C MAC

UNPACED | 30/06/2010 | 162.12 MB

The Tube-Tech PE 1C is a passive, tube-based equalizer suitable for many different sources ranging from bass drums and guitars to vocals. The equalizer features a Low Frequency section made up of two low shelf filters which can be combined to attenuate and boost at the same time. These filters are actually bit apart in frequency even if they are controlled by the same frequency selector. The High Frequency section has a peak and shelving filter working in parallel, which provides a smooth top end while not getting too bright.The ability to combine the different filters and sections is what gives the PE 1C its characteristic sound and is something which plays a crucial part in explaining the classic Pultec sound.