ABTR6 v4.0.1 WiN MAC
P2P | 18 May 2025 | 6.4GB
..:: STANDALONE, AAX, AU, VSTi, VST3, x64 ::.
TR6 aim to bring the Yamaha TRBJP2 to your studio.
Viewed 75897 By Music Producers & DJ´s.
TR6 aim to bring the Yamaha TRBJP2 to your studio.
ABY aim to bring the Fodera Yinyang Bass sound to your studio.
Sampling: 2709 Samples, Size: 3.71 GB, 24bit 44.1khz, DFD(Direct from disk), Rich Fingering Noise – more vivid and realistic, Each Cycle & Rhombic Sampling structure – Separate sample cycle for each note and vel layer to improve sample utilization, Sustain, Palm Mute, Natural Harmonic, Hammer On & Pull Off, Legato Slide, Slide in & out, Slapping, Popping, Tapping, Accentuated, Staccato, Dead Note 14 articulations, Legato at random length & pitch & poly.
Step into the future of orchestral music production with Morphestra ULTRA, a cinematic, morphed orchestral virtual instrument designed to transform the way you compose and produce music. Boasting over 650 organic instruments and morphed presets, Morphestra ULTRA introduces a bold new era of cinematic sound, unlocking previously unimaginable creative possibilities for composers, music producers, and sound designers. The cinematic legacy lives on through with new unparalleled sampler power pushing orchestral samples to the new heights with new samples and refined sound design techniques.
KO is a VST3/AU plugin delivering heavy saturation for drums and bass. Packed with analog warmth and modern digital processing, KO delivers a knockout sound.
Introducing Reach – the ultimate reverb plugin for synthetic sounds. Whether you need to add depth and dimension to your synths, drums, guitars, vocals or any other source, Reach can help you achieve stunning results in minutes. Reach lets you create realistic or surreal spaces with ease. You can adjust the size and decay of your reverb to match any environment, from small rooms to large halls. You can also shape how your early reflections bounce around using the diffusion knob, and fine-tune their brightness using the damping parameter. But that’s not all. Reach also gives you creative options to spice up your reverb tail with modulation and saturation. Add subtle movement or dramatic swirls with the mod knob, or dial in some warmth or grit with the drive knob. You can even mix between two different saturation modes for more sonic variety.
In 1988 Sony released the DAL-1000 Digital Audio Limiter. A limiter designed to master tracks for compact disc. Later it became a secret weapon for hiphop beats, drums and vocals. We simplified the controls and made it a whole lot more fun to get loud.