The next logical step after releasing the loudness meter application, ALM 5.1, was to create an affordable, cross-platform loudness normalizing tool: the L-Normalizer. This particular application can be very useful and helpful for audio engineers working in post production and broadcasting environments.
The core of frei:raum is a fully interactive equalizer with state of the art mastering quality. Each band can either be used in classical mode for manual EQing, or in the unique “smart” mode, offering automatic detection and removal of problematic resonances in different frequency bands.
Frostbite is a multi-effect plugin featuring Ring Modulator, Feedback, and Freeze modules. It’s aimed at ambience and cinematic music, but can also be used for extreme sonic experiments. The Signal Flow is flexible with 6 different combinations. The Ring Modulator multiplies your input signal with a Sine wave (with frequency up to 4kHz). You can also reduce the high-end with the Low Pass filter. The Feedback module features a delay function (up to 200 samples) which can be modulated by an LFO. The Freeze module features a Freeze effect that can hold the input up to 25 seconds. The Fade Out and High Pass controls can additionally shape the behaviour of the freezed sound.
THE MAGIC MIX With its sound palette varying from heavy drum n’ bass stabs to angular arpeggiated electro bass lines, whatever your chosen genre, the 2600 is a truly versatile sound creation tool, which still finds a good place in today’s music. The ARP 2600 is one of the finest analog synthesizers ever made. Celebrated by the most respected musicians over the last thirty years, it is capable of creating amazing sounds, heard in numerous popular tunes from Herbie Hancock to Stevie Wonder. With its sound palette varying from heavy drum n’ bass stabs to angular arpeggiated electro bass lines, whatever your chosen genre, the 2600 is a truly versatile sound creation tool, which still finds a good place in today’s music.
CrX4 mixes up your samples in realtime like no other instrument. If you start with a kick sample you may end up with getting a fascinating pad from it, and you should not be astonished to get some punchy drums just from your vocal samples. Its CrX4, samples are only food for its versatile and unique engines, featuring 3 different specialized sample processing generators, an oscillator, a sophisticated noise generator and all the filters and modulations you expect from a fully fledged synthesizer.
The Liquid library ELECTROLINES delivers 78 themes and over 1000 analog synth sequences. Every single theme consists of leads, basses and effects, which are different in terms of filter movement, sound and groove. The Liquid library ELECTROLINES delivers 78 themes and over 1000 analog synth sequences. Every single theme consists of leads, basses and effects, which are different in terms of filter movement, sound and groove. This material can be used as a main melody, backing or fill-in. It‘s also compatible with diverse commercial/professional environments and tracking needs. All cuts have been sculpted especially for electronic music genres like Electro House, Electronica, Minimal, Progressive House, Trance, Tech House and Drum&Bass, to name a few. ELECTROLINES was produced solely with analogue synthesizers and signal processing gear. A couple examples include:Moog Voyager, Alesis Andromeda, Omega 8, Se-1x, Sh 101, Korg Monopoly, Oberheim Xpander & Ob-MX.
The Abuser is an aggressive distortion effect ideal to give you a unique sound to your guitars, bass, synthesizers, drums and much more. We programmed a rich sounding distortion to fit in both vintage and modern music styles.
