• Volko Alaturka Drum v1.2.4 WiN MAC-R2R
    December 18th, 2021 ⚡
    Categories:

    Volko Alaturka Drum v1.2.4 WiN MAC-R2R

    Volko Alaturka Drum v1.2.4 WiN MAC

    TEAM R2R | 29 Sept 2015 | MAC: 571.4MB | WiN: 933.2MB

    Would you like an authentic drummer at hand? Volko Alaturka Drum is waiting for you, with its high quality sounds, user friendly interface and its preinstalled ready to use authentic rhythms. With only a few steps you can include your authentic drummer in your music. Volko Alaturka Drum adds new colours to your music by bringing the rhythms of Middle East, North Africa, Arabia and Anatolia. Just select the rhythm you would like and push the “play” button…


    Viewed 14683 By Music Producers & DJ´s.


  • PadShop Pro 2 v2.0.30 WiN MAC x64
    December 17th, 2021 ⚡

    PadShop-Pro-2-v2.0.30-WiN-MAC-x64_1

    PadShop Pro v2.0.30 WiN MAC

    P2P | 30 August 2021 | Library: 5.51 GB | Plugin: 273 MB

    (Win/Mac64; AU, AAX, VST3, VSTi, NKS)

    Padshop Pro is an enhanced version of Steinberg’s state-of-the-art VST granular synthesizer and comes with several new effects and opportunities to fit the requirements of professional sound designers and skilled creatives. The Pro version offers the import and manipulation of custom samples in a way that will alter your perception of sound forever.


    Viewed 12881 By Music Producers & DJ´s.


  • Superior Drummer v3.2.7 macOS M1
    December 17th, 2021 ⚡

    Superior Drummer v3.2.7 macOS M1

    Superior Drummer v3.2.7 MAC

    P2P | 17 December 2021 | 457 MB

    (64Bit, AU, AAX*, VSTi, STANDALONE)

    In addition to a massive library of raw sound material, Superior Drummer 3 introduces a unique design*, a streamlined workflow and countless features for powerful drum production in your computer. With Superior Drummer 3, you have control and creative power beyond the imaginable. Welcome to the future.


    Viewed 18366 By Music Producers & DJ´s.


  • The Prince v1.0.1.0 WiN MAC-FLARE
    December 16th, 2021 ⚡
    Categories:

    The Prince v1.0.1.0 WiN MAC-FLARE

    The Prince v1.0.1.0 WiN MAC

    Team FLARE | 16 November 2021 | WiN: 476 MB | MAC: 528 MB

    .:: AU, x64: VST3, AAX (MODiFiED) ::.

    The Prince. All hail the new sound Over 130 source samples from numerous vintage synths, complemented by a plethora of controls and effects to help you craft your perfect sound.


    Viewed 36109 By Music Producers & DJ´s.


  • God Mode v2.0.1 WiN MAC-FLARE
    December 15th, 2021 ⚡
    Categories:

    God Mode v2.0.1 WiN MAC-FLARE

    God Mode v2.0.1 WiN MAC

    FLARE | 08 September 2021 | WiN: 5.58 MB | MAC: 7.70 MB

    ..:: VST, VST3, AU, AAX, x86, x64 ::..

    The God Mode introduces a new push-pull technology giving you full control over what frequencies to saturate and distort. It’s node EQ graph and linear phase filters allow for unlimited options to shape the coloration of your sound. The push-pull technology is inspired by the legendary analog Pultec EQ, a passive tube eq from the 50s, widely used in the 70s/80s for both broadcasting and mixing. The Pultec EQ would ‘push’ the gain for a certain frequency range into its tube circuit, and would then ‘pull’ it back again, to smooth out the frequency response. This creates a sound close to the original but with a nice warmth added to the boosted frequency ranges. The God Mode introduces a modern version of this technique. The first step to using the God Mode is to boost or ‘push’ certain frequencies in your track that you like to be more saturated or distorted. You can for example use one shelf to boost the highs and one peak to boost a certain color or resonance. Because you push these frequencies harder into the saturation algorithm, they will be naturally more affected by it. The second step is to decide if and how much ‘pull’ to apply to the boosted frequencies. This gives you creative control over the amount of coloration and the option to create a perfectly balanced frequency response for your track.


    Viewed 14908 By Music Producers & DJ´s.


  • Perfect Plate XL v1.0.3 WiN MAC-FLARE
    December 15th, 2021 ⚡
    Categories:

    Perfect Plate XL v1.0.3 WiN MAC-FLARE

    Perfect Plate XL v1.0.3 WiN MAC

    FLARE | 08 September 2021 | WiN: 6.13 MB | MAC: 12.3 MB

    Go supernatural with the Perfect Plate TXVerb™ powered technology

    The goal of the denise Perfect Plate reverb is to easily manipulate your tracks in supernatural ways with supernatural sound quality. The Perfect Plate XL offers refined control over the key aspects that determine a plate’s sound, resulting in new possibilities to shape and combine plate reverb styles: make drums sound huge, like played in a oil tanker, give vocals a classic dreamy vintage reverb or make them sound like a resonating synth drone that rotates in the stereo field. We do this by utilizing our TXVerb™ technology known from the Perfect Room, praised by many engineers as the best natural reverb out there. To go even further beyond the realms of traditional reverb, we added tailor-made effects to work seamlessly with our core TXVerb™ technology. We challenge you to go supernatural with the resonator, drive, rotator & detune – and don’t forget about the internal ducker!


    Viewed 8388 By Music Producers & DJ´s.


  • Pana v1.0.0 WiN MAC-V.R
    December 15th, 2021 ⚡
    Categories:

    Pana v1.0.0 WiN MAC-V.R

    Pana v1.0.0 WiN MAC

    TEAM V.R | 15 December 2021 | 28 MB

    .: AU | VST | VST3:.

    Introducing Pana Natural positioning made easy. Pana – a pan knob for the human ear. Pana is a sophisticated stereo tool designed to let you do more elegant, natural audio positioning than what regular balance panning might accomplish. Panning an audio signal can be done in several ways, where the most common is to alter the volume on one channel. This is a CPU efficient way (and many times the best) to achieve a sense of positioned audio. Almost every DAW and mixing console have this feature built-in. Another way is to add a short delay to one of the channels – the Haas method. This renders a richer sound, but can also make a sound come off as somewhat unnatural. A more elegant way is to apply a low pass filter to one of the channels. This maintains the audio energy on both channels, but at the same time makes it sound positioned. This works very well on transient rich sounds like drums or other percussive instruments.


    Viewed 8728 By Music Producers & DJ´s.


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