• BEAT Magazine Issue 209 June 2023
    May 26th, 2023 ⚡
    Categories:

    Beat Magazine Issue 209 June 2023

    BEAT Magazine 209 June 2023

    English | 84 pages | PDF | 50.8 MB

    PRODUCER TRICKS: 40 Boosters for your tracks with BEAT 06/23

    How do I find musical inspiration and how do I bring my ideas from my head into the DAW? How can I increase my musical productivity? How do I turn loops into a song and how do I develop stirring chord progressions and melodies? For everyone who hates instructions, who finds specialist recording books too dry and who finds long searches on YouTube just too stupid, we provide the best power tips on the topics of inspiration, songwriting, production, mixing, sound design and arrangement to make producing faster and easier to handle and more fun!


    Viewed 7745 By Music Producers & DJ´s.


  • BEAT Magazine Issue 208 May 2023
    May 25th, 2023 ⚡
    Categories:

    Beat Magazine Issue 208 May 2023

    BEAT Magazine 208 May 2023

    English | 84 pages | PDF | 52.7 MB

    AUDIO INTERFACES: all answers on 22 pages – 15 models reviewed

    Whether you want to record melodies or vocals, record or sample beats, integrate a modular system into your DAW setup or perform live, you need the right audio or CV interfaces to keep things running smoothly. But which ones can do what and, above all, which ones fit your workflow best? In our market check, we answer the most important questions and present current devices along with their features, compare different models and give concrete tips on how you can optimize and expand your setup. Plus an extra feature on Dolby Atmos for home studios.


    Viewed 8711 By Music Producers & DJ´s.


  • BEAT Magazine Issue 206 March 2023
    May 25th, 2023 ⚡
    Categories:

    Beat Magazine Issue 206 March 2023

    BEAT Magazine 206 March 2023

    English | 84 pages | PDF | 50.9 MB

    Correct monitoring, perfect mixes: 31 Monitor reviewed in BEAT 03/23

    We have never had a more comprehensive special on the subject of active speakers: we examine almost every active box available and present it with strengths, weaknesses and suitability. In recent months, many manufacturers have surprised us with new concepts, technical innovations and great sound. So it‘s time to pick out the best of them, so you can find the right monitor for you and your studio and take your sound to the next level.


    Viewed 11761 By Music Producers & DJ´s.


  • Sound On Sound UK USA May 2023
    May 21st, 2023 ⚡
    Categories:

    Sound On Sound UK USA May 2023-MaGeSY

    SoS UK USA May 2023

    English | 156 pages | True PDF | 157 MB

    Cranborne Audio Carnaby 500 Harmonic EQ • Roland SH-4d synth/sequencer • Spitfire Audio Albion Colossus • Steinberg HALion 7 • Lewitt Connect 6 audio interface • Lauten Audio LA-120 capacitor mics • ROLI Seaboard Rise 2 keyboard • FabFilter Twin 3 soft synth • Universal Audio Waterfall Rotary Speaker • Roland SPD-SX Pro • Electric & Company EC5B comp/lim • Lewitt Audio MTP W950 mic • Yamaha Stagepas 200 PA • MiMU The Jellyfish • Rode NT‑USB+ mic • Polyverse Supermodal dual filter • Radial Reamp Station & Reamp HP • Latest sample libraries — and lots more!


    Viewed 14324 By Music Producers & DJ´s.


  • Spatifier v1.10 AAX VST2 VST3 x86 x64 WiN-TCD
    May 21st, 2023 ⚡
    Categories:

    Voxengo Spatifier

    Spatifier v1.10 WiN

    TEAM TCD | 21 May 2023 | 6 MB

    x64: VST3, VST2, AAX | x86: VST2

    Spatifier is a “mono to stereo” spatial enhancer AU and VST plugin for professional sound and music production applications. This plugin can be effectively used to turn mono tracks into spatially-enhanced stereo tracks: it works great for clean and distorted guitars, synth instruments, piano, organ, back vocals and other sounds. Beside that Spatifier can be used to “densify” the sound of reverb sends, and to add “body” to thin and flat sounds. Spatifier decorrelates the signal in the left and right channels while retaining the “mono compatibility”. Such decorrelation creates the “as wide as possible” surround effect. This effect can be usually used in place of double-tracking technique. The spatial impression can be adjusted in the range from the “in your face” direct to a distant reverby sound.


    Viewed 10151 By Music Producers & DJ´s.


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