Uncover the secrets of killer synth bass with Future Music Issue 407. Featuring exclusive new packs and an 18GB archive library, learn how to craft the perfect electronic low-end in hardware or software. Join Carl Craig, Julia Holter, and more in making the future of music since 1992.
FM 414 rounds off the magazine’s 30 year history with our ultimate mixing and mastering tips. Future Music issue 414 is on sale now, which we must acknowledge with a heavy heart will be the final issue of the magazine. For our final issue, we wanted to leave you with a selection of tried and tested mixing advice to help you nail that final mix. To that end, we’ve curated some of the most timeless and essential advice from our team of experts. One More Time… Future Music first launched more than 30 years ago in the autumn of 1992 and since the early-’90s, FM has played a role in the creation of some truly incredible electronic music. In that time, the magazine has released sample packs that have gone on to become bonafide classics, given early coverage to artists as diverse as Aphex Twin, Four Tet and Avicii, reviewed thousands of cutting-edge synths, plugins and studio tools and charted the rise, fall and revival of numerous sub-genres and styles.
July 2024: Dive into exclusive content including 18GB of library archives, Bullion, Arturia PolyBrute 12, and a masterclass with Dave Clarke. Discover the secret ingredient to elevate your tracks with texture, atmosphere, and unpredictability.
Future Music is the number one magazine for today’s producers. Packed with technique and technology we’ll help you make great new music. All-access artist interviews, in-depth gear reviews, essential production tutorials and much more. Every marvellous monthly edition features reliable reviews of the latest and greatest hardware and software technology and techniques, unparalleled advice, in-depth interviews, sensational free samples and so much more to improve the experience and outcome of your music-making.
Future Music is the number one magazine for today’s producers. Packed with technique and technology we’ll help you make great new music. All-access artist interviews, in-depth gear reviews, essential production tutorials and much more. Every marvellous monthly edition features reliable reviews of the latest and greatest hardware and software technology and techniques, unparalleled advice, in-depth interviews, sensational free samples and so much more to improve the experience and outcome of your music-making.
Ambient music tends to divide opinion – to some, it’s mind-bending and hypnotic, to others it’s nothing more than dull wallpaper music. Whatever your thoughts on the genre as a whole though, when it comes to sound design, ambient is home to some of the most interesting and evocative synth patches out there. There’s a lot you can learn from these sorts of patches whether you’re making ambient music or not. Whether it’s the backbone of your track, something to add texture to a breakdown or part of a dramatic cinematic piece, evolving and atmospheric synth sounds are one of those staple techniques that all electronic music makers should understand. In this issue of Future Music, we’ll guide you through the basics of making epic, atmospheric patches, whether you’re working with hardware, software or a modular system.
Even when you do it professionally, making music should ideally be fun. It’s something that we do with passion and enthusiasm. It’s about creativity and inspiration. Modern studios can be fantastic at facilitating this. With little more than a laptop and a set of monitors, it’s possible to access all the tools you need to make music in any style to a professional standard. But even such a simple setup also has the capacity to get in the way of your creativity. Electronic production gear comes with a lot of potentially workflow-breaking admin, from the need to keep your software and hardware updated, to issues with sync, patching and communication. This issue’s cover feature is all about clearing away those potential blockages and helping you to bring the fun back to your studio setup. This month’s issue has an exclusive interviews with St. Vincent, Jeff Mills, and Luke Slater. Discover the power of analogue synths, perfecting techno kicks, and studio workflow tips. Plus, get 2 new packs and an 18GB library for FREE.
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Eternal Arps v1.0.0 WiN Team R2R | 09 November 2024 | 346.4MB PLATFORM: STANDLONE/VSTi/VST3/AAX Next-Gen Instrument That Brings Arpeggios To Life Say goodbye to...
Sound Enhancers FANTASTiC | 09 November 2024 | 370 MB Sound Enhancers is a collection of sounds that will help you make your songs richer, fuller & more int...
HG-Q v1.0.1 WiN BUBBiX | 01 December 2024 | 50 MB PLATFORM: VST2/VST3/AAX(MOD) The HG-Q plugin, a meticulously modeled version of the forthcoming HG-Q hardware...
T-RackS 6 MAX v6.1.0 macOS MORiA | 08 November 2024 | 3.2 GB AU | VST3 | AAX* | STANDALONE HITS - MADE EASY T-RackS 6 is the latest generation of IK’s acclaimed...
Ableton Live 12 MiDi Tools ALP ARTiCSTORM | 01 December 2024 | 3MB Discover exciting ways to generate new patterns and manipulate your existing sequences with a...
AGVC v3.7.0 WiN MAC Team R2R | 01 December 2024 | WiN+MAC: 2.61GB ..:: STANDALONE, AAX, AU, VSTi, VST3, x64 ::.. Ample Guitar VC aim to bring a Gibson SG Vintag...
Ueberschall Eurodance Team DELiRiUM | 31.07.2002 | 810 MB Control the charts with the freshest, professional sound material! top 30 construction kits for dance...
