Dive into the ultimate Beginner’s Guide to Production, your essential masterclass for recording, arranging, and mixing tracks like a pro. With expert tips and insights in this fifth edition digital release, elevate your sound and transform your creativity today.
REVIEWS: Allen & Heath Avantis Solo [front cover] • Neve 88C • SSL Alpha 8 • Apple M4 & M3 Ultra Macs • Arturia KeyLab 88 MkIII • Melbourne Instruments Roto-Control • RME ADI-2/4 Pro SE • OLLO Audio X1 headphones • Roland V-Stage 76 • AudioSmile Little British Monitor • Gamechanger Auto pedals • Orchestral Tools Berlin Solo Strings • Rupert Neve Designs RNDI-M • UAFX Enigmatic ‘82 • Vanguard V24 stereo valve mic • Waves Sync Vx • Overloud TH-U2 • SPOTLIGHT: Stereo Microphones • Eurorack modules • New sample libraries — and much more!
Master All Your Studio Sroblems: With 337 Producer Tutorials in Beat 10/25. Over 330 workshops full of fresh ideas, secret tricks, and techniques that you can use right away await you in this Masterclass. Whether you‘re building your first beat or already producing at a professional level, you‘ll learn everything step-by-step: Sound Design, Mixing, Mastering, Recording, Podcasting, and Streaming. Plus tutorials for Ableton Live & Push, Cubase, Logic Pro, FL Studio, Reason, the most important AI tools, and more. On top of the content in the magazine, you‘ll receive over 300 additional tutorials as PDFs to download. Inspiration, know-how, sounds – all ready to use!
No matter whether you’re a complete novice to computer-based music production or a seasoned pro, there’s plenty for you in every issue of Computer Music magazine. Packed full of easy guides to help you start making music as well as in-depth product reviews to get you kickstarted with an epic sound-making setup. Computer Music magazine is the complete guide to making music on your computer, whether that be a Mac or a PC.
Welcome to the Music Producer’s Guide to Mixing! This is the complete guide to helping you get perfect, professional-sounding tracks, no matter what music you make, and is brought to you by the experts at Computer Music magazine. It used to be the case that you could only really get a professional-sounding mix after years of experience working in a ‘proper’ recording studio with a (often huge) hardware mixing desk. Nowadays you get all of that mixing power – plus a lot more besides – in your software DAW (Digital Audio Workstation). So if you use one of the many DAWs out there – Cubase, Logic, Ableton Live, FL Studio, Bitwig Studio. Tracktion Waveform, or one of many more – then this guide is for you, and you already have everything you need to create perfect mixes on your PC or Mac. All you need in addition to this software are a few mixing ground rules and insider tips and tricks, and we’re bringing you all of these in this special Music Producer’s Guide To Mixing bookazine.
REVIEWS: Slate Digital VMS 2 [front cover] • iamReverb plug-in • Harrison Mixbus 11 • IK iLoud Micro Monitor Pro • Warm Audio Fen-tone • Arturia Pigments 6 • Acustica THING • EastWest LOFI • Audix D6X • Rode NTH-50 • Toontrack Fusion • Tascam FR-AV2 • Oberheim Two Voice revisited • LANG Electronics P.LANE Type 436 • Harrison D510r 500-series • Mackie ProFX10 Go • RME DPS-2 & LNI-2 DC • beyerdynamic DT 70 in-ears • Soyuz Lakeside mic pre • Korneff Audio Shure Level-Loc • GForce Novation Bass Station • SPOTLIGHT: Studio Workstation Desks • Eurorack modules • New sample libraries — and much more!
Die zweite Ausgabe für unser Jubiläums-Jahr – 20 Jahre sind seit der allersten Nummer im Jahr 2006 vergangen – hat jede Menge zu bieten: Am Anfang jeder guten Aufnahme steht ein Topmikrofon – und Weltklasse-Mikrofone baut Microtech Gefell seit Jahrzehnten.
