Beat German Nr.11 2026

Deutsch | 84 pages | True PDF | 22 MB

Muffiger Raumklang, dünne Vocals oder fehlende Sängerinnen? Schluss damit! In der Masterclass zeigen wir dir, wie deine Gesangsspuren endlich nach Major-Release klingen. Es geht Schritt für Schritt zu perfekten Recording-Chains für deine Zwecke, sauberes Vocal-Tuning und das Mixing im dichten Beat-Kontext. Du hast niemanden zum Einsingen? Kein Problem: Lerne, wie du mit Plug-ins oder auf Wunsch mit KI täuschend echte Vocals baust. Inklusive Podcast-Guide, Plug-in-Empfehlungen der Redaktion und den besten freien Autotune-Alternativen!

Professional Audio Nr.05 2026

Deutsch | 62 pages | True PDF | 13 MB

Von wegen Sommerloch: Die Ausgabe 05/2026 platzt diesmal schier aus allen Nähten. Denn wir widmen uns in epischer Breite dem brandheißen Thema Dolby Atmos: Experten erklären, was dran ist an dieser 3D-Audio-Variantem, wie erste Produktionsumgebungen aussehen können und welche Werkzeuge für Einsteiger, Aufsteiger und Profis zur Verfügung stehen. Erfahrene Produzenten geben außerdem Einblicke in die eigene Arbeitsweise. Das vollfette Special ergänzen wir mit Produkttests von Dolby Atmos-fähigen Abhör-Werkzeugen wie dem neuen Audeze LCD-S20 und dem Focal Solo6 ST6. Doch auch die Mobilisten kommen mit Georg Bergers Praxistest des Tascam DR-40XP auf ihre Kosten. Außerdem befassen wir uns mit JAG-Microphones aus Australien: In der Kategorie Miniatur-Mikrofone sind die Schallwandler Debütanten auf europäischem Parkett – und wir haben uns mal gleich das komplette Sortiment zum Test geladen. Wenn das alles nicht jede Menge informative und nachhaltige Lektüre ist!?

Electronic Sound 129 2025

English | 100 pages | PDF | 46 MB

BRIAN ENO and BEATIE WOLFE are gearing up for the release of their third collaboration of 2025, so it’s fantastic to have them on the cover of the latest Electronic Sound. We’re bundling the magazine with a lush purple vinyl ENO & WOLFE seven-inch too, one side of which features a track previously only available in Japan. Brian Eno’s partnership with composer and conceptual artist Beatie Wolfe, who Vice called “a musical weirdo and visionary”, has already given us two albums this year. Another is coming out next month. All three records – ‘Luminal’, ‘Lateral’ and the forthcoming ‘Liminal’ – blend dreamy, mesmeric and opulent ambient atmospherics with snatches of hushed Americana. The results are alluring and fascinating, as is our interview with the pair, which sees them talking about everything from the joys of hauling abandoned speakers out of skips to the very idea of creativity itself. Exploring the zone where music, art, science and technology come together, it’s a perfect cover story for Electronic Sound.

Guide to Electronic 2026

English | 132 pages | PDF | 100 MB

Electronic Music’s journey has been as varied and fascinating as the technology behind it; indeed the music and the technology have influenced one another so much that you can’t really talk about one without the other, so expect us to delve deeply into the rich, technical side of music production as we traverse its history. We are focussing on the synthesizers behind the sound and detail of these machines, from analogue modular monsters to sleek cutting-edge software. And don’t worry if you are not equipped with the latest music production gear, as we are giving you many of the software tools you need, free with this guide. See p6 for more details. Of course Electronic Music isn’t really about one musical genre but many (many) varied sub genres.

SoS UK USA October 2025

English | 156 pages | True PDF | 163 MB

Cranborne Audio Brick Lane 500 [front cover] • SSL Revival 4000 • Apogee Symphony Studio • Expressive E Soliste • Buchla Music Easel • Steinberg SpectraLayers Pro 12 • Lynx Mesa interface • Braingasm Ocula field mic • HH Q16FX analogue mixer/interface • NI Circular sequencer • LANG Electronics 312L • Polyend Press VCA compressor pedal • NoiseWorks Audio DynAssist • Nordic Audio Labs NU-24K mic • SPOTLIGHT: Dante Interfaces • Eurorack modules • New sample libraries — and much more!

Beat Issue 249 October 2026

P2P | 19 September 2026 | 57.7 MB

(English & German Edition)

Prices, Uses, Strengths & Sounds – The Headphone Masterclass in Beat 10/26. Headphones are flexible, precise and indispensable in the studio and on stage, but they can also fool you when mixing. In this masterclass, you’ll learn how to make targeted use of their strengths while avoiding common pitfalls. We’ll also show you workflows for more reliable mixes and provide a comprehensive market check of 25 current models. Plus: in-ear monitoring for the stage and DJ booth, headphone amps, and tools for calibration, virtual monitoring and immersive 3D mixes.

Electronic Sound Issue 138 2026

English | 100 pages | PDF | 27 MB

It’s best to expect the unexpected from our latest Electronic Sound cover star, the tirelessly innovative Tom Jenkinson, better known as SQUAREPUSHER. The white vinyl seven-inch we’re releasing alongside the magazine, which features two previously unheard tracks by this truly unique artist, proves the point. Starting out on Aphex Twin’s Rephlex label before moving to Warp in 1997, Squarepusher has crafted some amazing records over the last 30 years, each of them a radical sonic adventure. Our exclusive interview with Jenkinson focuses on his startling new album ‘Kammerkonzert’, a one-man chamber opus embracing ambient, psychedelic, jazz and avant-garde sounds. It’s just the kind of left-field intent we want to hear from our electronic visionaries. There’s plenty of outrageous virtuoso bass playing along the way – as always with Jenkinson’s music – but the baroque feel places ‘Kammerkonzert’ somewhere totally different within the Squarepusher oeuvre.