Electronic Sound 127 2025

English | 100 pages | PDF | 58 MB

This month’s Electronic Sound cover star is sci-fi electronica legend and space boffin JEFF MILLS, whose many career highs include an acclaimed series of radio shows for NASA. From co-founding the fearsome Underground Resistance in Detroit in 1989 to beaming out epic transmissions via his long-running Axis label, Mills has spent decades crafting his singular vision of electronic music, taking in alien soundscapes, cosmic operas, symphonic collaborations and more. As well as delving into his huge back catalogue, our interview with this sonic adventurer and edgy futurist covers subjects such as Marvel comics, 1920s movies, black holes, technology, telepathy, and the similarities between musicians and astrophysicists. It’s a gripping read, as you’d expect from a man with one foot in tomorrow and the other somewhere near Alpha Centauri.

Electronic Sound 136 2026

English | 100 pages | PDF | 47 MB

Never mind the moonshot, we’re off to a far-flung galaxy with HANNAH PEEL – synthesist, composer, space geek and this month’s Electronic Sound cover star. We have a tasty orange vinyl seven-inch featuring two great tracks from Hannah’s forthcoming collaborative album with virtuoso percussionist Beibei Wang to accompany the magazine too. We’ve been charting the rise of Hannah Peel for more than a decade, but she’s shifted into another gear entirely in recent times – topping charts, winning awards and working with everyone from John Foxx to chamber music ensembles – and our cover story looks ahead to what could be her biggest year yet. She has a raft of exciting and ambitious projects coming up, including the imminent release of ’The Endless Dance’, a wonderful exploration of sound recorded with Beibei Wang. Incorporating ancient tonal chimes and futuristic psychedelic grooves, the album combines Hannah’s vocals, synths and piano with Beibei’s textured percussion to forge a bold new musical language.

Beat Issue 246 July 2026

PDF | 09 June 2026 | 92.3 MB

(English & German Edition)

Endlich klare Verhältnisse: Die KI Musik & Recht Masterclass in Beat 07/26 | KI kann dir im Studio viel Arbeit abnehmen: Sie liefert Ideen, beschleunigt Workflows, hilft beim Mastering, erzeugt Sounds und unterstützt sogar bei Vocals, Cover-Art oder kompletten Songs. Doch welche Tools lohnen sich? Und was davon darfst du am Ende kommerziell nutzen? In dieser Masterclass zeigen wir dir, wie du KI im Producer-Alltag sinnvoll einsetzt: praxisnah, anwendungsbezogen und ohne trockenes Juristen-Deutsch. Du erfährst, welche Anwendungen vergleichsweise sicher sind, wo Urheber- und Persönlichkeitsrechte relevant werden und warum nicht alles, was technisch möglich ist, am Ende dir gehört.

Sound On Sound UK/USA Full Year 2024

English | 12 Issues | True PDF | UK:896 MB | USA: 963 MB

Sound On Sound is the world’s best recording technology magazine, packed full of in-depth, independent product tests, including music software, studio hardware, keyboards and live sound (PA) gear. Every issue also includes SOS’s unique step-by-step tutorial and technique columns on all the leading DAW programs, as well as insightful interviews with leading producers, engineers and musicians.

Guide to Mixing, 3rd ED 2025

English | 132 pages | PDF | 77 MB

Welcome to the Music Producer’s Guide to Mixing! This is the complete guide to helping you get perfect, professional-sounding tracks, no matter what music you make, and is brought to you by the experts at Computer Music magazine. It used to be the case that you could only really get a professional-sounding mix after years of experience working in a ‘proper’ recording studio with a (often huge) hardware mixing desk. Nowadays you get all of that mixing power – plus a lot more besides – in your software DAW (Digital Audio Workstation). So if you use one of the many DAWs out there – Cubase, Logic, Ableton Live, FL Studio, Bitwig Studio. Tracktion Waveform, or one of many more – then this guide is for you, and you already have everything you need to create perfect mixes on your PC or Mac. All you need in addition to this software are a few mixing ground rules and insider tips and tricks, and we’re bringing you all of these in this special Music Producer’s Guide To Mixing bookazine.

Electronic Sound 118 2024

English | 100 pages | PDF | 40 MB

This month’s Electronic Sound cover stars are the fabled White Noise – Delia Derbyshire, Brian Hodgson and David Vorhaus – and we’re bundling the magazine with a fantastic seven-inch featuring previously unreleased Radiophonic Workshop remixes of two killer tracks by the pioneering electronic supergroup. Radiophonic stalwarts Derbyshire and Hodgson formed White Noise with offbeat American musician Vorhaus in 1968. We’ve interviewed the band’s two surviving members for our cover feature, which is the story of their witchy and wonderful ‘An Electric Storm’ album. It’s an entertaining tale, with lots of strange twists and turns. Lots of sex and drugs as well. White Noise used reel-to-reel tapes and an early VCS 3 on the album, but it doesn’t sound the least bit dated. And while it wasn’t a commercial success on its release in 1969, it’s become hugely influential in the decades since, inspiring sonic adventurers like Throbbing Gristle, Aphex Twin, Broadcast and more.

Beat Issue 248 2026

P2P | 24 August 2026 | 38.5 MB

(English & German Edition)

Your Easy Guide to Immersive Mixing: DOLBY ATMOS Masterclass in Beat 09/26 Dolby Atmos has been one of the hottest topics in audio for several years now. But what exactly is it? How does it differ from familiar surround formats such as 5.1? Why is a pair of headphones all you need to listen to Dolby Atmos on streaming platforms like Apple Music, Amazon Music or Tidal? And how can we take advantage of this when mixing? In this Masterclass, we‘ll cover everything you need to know about Dolby Atmos – how to listen to it, mix in it and what equipment you‘ll need.