New from the makers of Future Music, Computer Music and Electronic Music, the Beginner’s Guide to Music Production will have you creating your own tracks in no time. Learn how to record, arrange and master tracks with our simple, step-by-step guides.
32 Recording Problems Solved: With The MIC CHECK Masterclass in Beat 05/26 | No matter how expensive your plug-ins are or how good your monitors sound: if the recording isn’t right at the source, fixing it later becomes a struggle. In our 24-page “Mic Check” special, we show you what really matters when it comes to microphone types, polar patterns, technical specifications, and proper placement. On top of that, you’ll find practical tips for typical recording situations, creative recording ideas, expert know-how, and an overview of 25 current microphone models. This way, you can solve common recording problems right at the source and find the right microphone for your application more quickly.
How To Turn Your Beats Into Cash: HIP-HOP Producer Masterclass in Beat 11/25. Write some lyrics, build a beat, record vocals … done! Really? Hip-hop sounds simple at first. But if the result is to be authentic and contain your signature sound, things get more complex. In this masterclass, we‘ll show you the entire recording process – including mastering – using a complete song production from beatmaking to release. You‘ll also learn how to write crisp lines, record and stage vocals, which tools will support you in beatmaking, how to legally circumvent sample clearance, and ultimately how to make money from it. Vocals, song templates, and copyright-free samples are included.
Ahead of their final studio album coming out in September, we’re saying a fond farewell to SAINT ETIENNE with this month’s Electronic Sound cover story and an exclusive blue vinyl seven-inch from the group. One side is a sparkling new offering and other is the track that launched the band way back in 1990. It’s incredible to think that it’s 35 years since Saint Etienne released their groovy version of Neil Young’s ‘Only Love Can Break Your Heart’ as their debut single. Their forthcoming album, the wonderfully upbeat ‘International’, will be their 14th studio set but also their last – as Sarah Cracknell, Bob Stanley and Pete Wiggs explain in our extensive and hugely entertaining interview. It will conclude a recording career that’s been both tirelessly eclectic and deeply indebted to their love of classic pop music. And with the list of guests on the new album including Vince Clarke and Nick Heyward, as well as radio and television presenters Katie Puckrik and Colin Murray, it’s a splendid way for the trio to bow out.
Electronic Sound is the best electronic music magazine in the world. In-depth coverage of the current scene, the pioneers, the machines, and the current thinking of the electronic music world. Kraftwerk + The Divine Comedy ‘Radioactivity’ / ‘The Synthesiser Service Centre Super Summer Sale’
Beat Magazine is a music producer magazine with answers to questions on production, mastering, gear and djing. Filled with reviews on the latest hard- and software, hands-on tutorials, workshops, plus 8.5 GB of plugins, loops, sounds and samples. Added on top every issue includes club reports, interviews as well as music reviews and helpful tips for your next production.
This month’s Electronic Sound cover star is sci-fi electronica legend and space boffin JEFF MILLS, whose many career highs include an acclaimed series of radio shows for NASA. From co-founding the fearsome Underground Resistance in Detroit in 1989 to beaming out epic transmissions via his long-running Axis label, Mills has spent decades crafting his singular vision of electronic music, taking in alien soundscapes, cosmic operas, symphonic collaborations and more. As well as delving into his huge back catalogue, our interview with this sonic adventurer and edgy futurist covers subjects such as Marvel comics, 1920s movies, black holes, technology, telepathy, and the similarities between musicians and astrophysicists. It’s a gripping read, as you’d expect from a man with one foot in tomorrow and the other somewhere near Alpha Centauri.
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