Whats new in BLACKQ – Version 3 ? A NEW AND IMPROVED VERSION OF BLACK Q – V2, NOW FEATURES OVERLAPPING BANDS AND NEW FREQUENCY RANGES AS WELL AS OVERSAMPLING FOR MORE “ANALOG” BEHAVIOR. The Philosophy behind Smooth Tube EQ. At T.E we are obsessed with “Sound”. We recently brought a vintage unit to life by building the hardware version over 6 months, changing tubes, transformers and signal paths.
Tonal Balance Control 2 The plugin allows you to make level adjustments to your tracks while checking your tonal balance in real-time. Finalize and fine-tune your master using target curves for different genres. Use Tonal Balance Control 2 in your mix session and adjust gain and EQ for Nectar, Neutron, other compatible iZ plug-ins and improved UI scaling for easier EQing.
The masters of analog modeling, are back with the plugin of SPL BiG. The 2024 TEC Signal Processing Award-winner, this studio stereo expander won praise from the pros for its huge sound and ingenious design. BiG is fun to use. BiG is distinct. BiG offers new imaginative avenues for sound shaping. Make your mixes sound massive with zero phase issues.
KREATE, a new sound library completely designed and produced by legendary techno, dance, minimal artist Speedy J aka Jochem Paap. KREATE offers over 4 GB of sounds designed to inspire and awe those in the electronic musicworld, whether it be the fellow DJ/producer, film composer or pop artist looking for a cutting-techno edge. This personal collection of Speedy JÆs sounds includes the dance and minimal electronic rhythms for which he is notorious as well as fluid pads that offer an atmospheric sensibility. The library is composed of drum kits, individual hits/tones, loops, sequencer-based instruments, fx and konstrukt instruments. The library is made up of over 500 instruments mapped out in Native InstrumentÆs Kontakt Player 2, a special version of Native Instruments’ Kontakt 2 which is included with KREATE.
Mini Grand is a simple to use yet powerful virtual piano instrument with seven different acoustic piano sounds to suit a broad range of musical styles and production needs. Whether you’re the next Evgeny Kissin bringing the crowd to their feet at the conclusion of a stirring rendition of Rachmaninoff’s Piano Concerto No.2, or Herbie Hancock laying down the funk on Watermelon Man or Monte Neuble making Rihanna’s music explode on the stage, it’s our mission to give you the creative tools you need to reach heights you never thought you could reach. We made this for you.
There are several reasons to use a variable-bias tube compressor. One is the exceptional compression transparency that this kind of compressor can achieve, even when pushed into extreme gain reduction. Another – and perhaps the most common – is their ability to add cohesion or “glue” to buses, whole mixes and masters. Unfortunately, the original hardware is expensive and difficult to integrate with “in-the-box” workflows.
Redefining what a graphic EQ can do. Sometimes, sound isn’t about balance. It’s about movement. About color that breathes, bends, and glows. P410 Joyride isn’t here to fix your mix; it’s here to make it feel alive. A journey through tone, texture, and harmonic light. Welcome to your next obsession. Tone Flux Graphic Equalizer Captures the dynamic, fluid interplay between tone, color, and harmonic motion within P410’s design. Each EQ band models an LC (inductor-capacitor) resonant circuit instead of purely RC (resistor-capacitor) network like most modern EQs. This gives it that distinctive “smooth yet weighty” tone associated with vintage passive or semi-passive equalizers.
