Ambi Head v1.0 AAX AU VST WiN MAC

Team R2R | March 07 2016 | WiN 9.5 MB | OSX 4.6 MB

Ambi Head is a professional plugin for converting ambisonic signals into 3D binaural audio. It allows manipulations of 3D scenes (rotations and control of spatial width) and contains HRTF filters specifically designed for immersive listening and accurate reproduction of B-format signals. Custom HRTF filters can be loaded via the integrated SOFA importer, letting users choose “custom heads” for personalized binaural rendering. An integrated Goniometer provides visual display of the binaural output (Lissajous display) giving meaningful insights into the scene spatial properties.

Melodyne Studio 4 v4.0.4.001 WiN MAC

Team R2R | 05 Mar 2016 | OSX: 53.1MB | WiN: 82.5MB

Melodyne is a software application for OS X or Windows with which you can edit audio in a more musical way than was ever thought possible. In Melodyne, you work with notes – and not with a meaningless wave form. You don’t just see where the music gets louder or quieter but also where notes begin and end and at what pitch they lie. You can modify each note and thereby influence directly the intonation, phrasing and dynamics – and do this not only with vocals and monophonic instruments but with polyphonic instruments such as pianos and guitars as well. Working with Melodyne is like being able to say to a vocalist “sing this note a bit longer” or to a pianist “give slightly less weight to the third in this chord” – hours, weeks, even years after the recording session.

Reel Tape Suite 8.0.3 TDM AS RTAS MAC

P2P | Feb 10, 2011 | 36.3 MB

Avid brings the unmistakable warmth and punch of analog tape into the digital domain with Reel Tape Suite™. This powerful collection of three plug-ins — Reel Tape™ Saturation, Reel Tape™ Delay, and Reel Tape™ Flanger — is designed to beef up your mixes and add that elusive magnetic vibe to your live sound, without the hassle of actually owning and operating a reel-to-reel tape machine.

Slightly Rude Compressor v8.0 RTAS MAC

Team iND | 20.06.2010 | 10.66 MB

The Slightly Rude Compressor was Bomb Factory’s first completely custom compressor design. Used conservatively, it sounds beautiful on vocals, drums, guitars, and piano. Pushed hard, it’s unique and aggressive. The stereo version is specifically designed to solve the problems that often plague digital mixes. If your final mixes need a lot more impact and a little less of that “digital sound”, look no further.

n-Track Studio EX v8.0.0.3375 WiN MAC

Team R2R | Feb 19 2016 | WiN: 107 MB | OSX: 107.6 MB

A recording studio in your computer. Studio quality recording, editing and mixing software. n-Track Studio brings you professional audio quality and easy workflow.

PCDJ RedMobile v3.5.7 WiN MAC

Team R2R | Feb 07 2016 | WiN: 17 MB | OSX: 24 MB

PCDJ Red Mobile 3 for Windows or MAC is versatile DJ software designed for all types of DJs. The software includes a powerful library that allows you to Import, mix, and search all of your MP3, OGG, WMA, FLAC, WAV, MP3+G and unprotected iTunes files quickly and easily. New in version 3.5 is Pulselocker Streaming Subscription Support — providing in-app access to 44+ million songs in all genre’s, from major and independent labels. Complete with features such as fully automated auto-mix, one-click beat sync, a mix-now button for quick cross-fade and play, all packaged in a modern, easy-to-use interface; you have the DJ software solution to take on any gig in any environment. Less screen clutter and just the right feature set to make your job as easy as possible. Concentrate on your clients and not your DJ software!

Resound v1.7.3 WiN LiNUX MAC

Team R2R | 7 Feb 2016 | LiNUX: 15.7 MB | OSX: 16.5 MB | WiN: 15.3 MB

AU AAX VST RTAS

Resound is a software audio delay effect processor that emulates the sound and operation of vintage magnetic-tape echo units. Whilst not a direct copy of any one particular model, it takes features from several of the classic delay devices, and unites them into a convincing and pleasingly retro sounding effect. Resound not only models the characteristic mechanical noise present in hardware magnetic-tape units, but also allows the noise to be controlled; from gentle warmth and distortion, to noisy, gritty, and unstable. The sound can be shaped further using the moveable highpass filter. And with feedback set beyond a certain intensity, Resound is even capable of self-oscillation.

Resound’s echoes can either be synced to the host tempo (expressing delay times as musical subdivisions of a beat, each echo will be exactly in time with the host) or in free-time mode (allowing any delay time, up to 2 seconds.) The reverse mode adds further flexibility: by playing each delay backwards, Resound can produce unique effects beyond what hardware magnetic-tape units are capable of.