E-Lab Foundation v1.5 VSTi RTAS AU

TEAM DELiRiUM | WORKiNG | Date: 07-21-2005 | 3.80 GB

TEAM BEAT | VSTi | RTAS | 3.80 GB

3.7 GB of Funky Cracklin’ HipHop Breaks

Based on e-LABs unique i.v.i. engine, FOUNDATION continues to define new standards for loopbased Virtual Instruments, giving you total tempo independance, realtime playback control, and creative freedom with separated drum loop parts (Kick, Snare & Hihat, etc all on separate tracks), effectively removing all limitations of handling Breakbeats and loops.

AmbiHead v1.0 AU AAX VST WiN MAC

TEAM NeBULA | 11.05.2016 | WiN: 14.8 MB | MAC: 29.9 MB

Ambi Head is a professional plugin for converting ambisonic signals into 3D binaural audio. It allows manipulations of 3D scenes (rotations and control of spatial width) and contains HRTF filters specifically designed for immersive listening and accurate reproduction of B-format signals. Custom HRTF filters can be loaded via the integrated SOFA importer, letting users choose “custom heads” for personalized binaural rendering. An integrated Goniometer provides visual display of the binaural output (Lissajous display) giving meaningful insights into the scene spatial properties.

Maximal v1.2.0 AU VST WiN MAC

Team R2R | 10 May 2016 | WiN: 3.1 MB | OSX: 7.2 MB

Maximal is a maximising peak limiter that allows you to get the most out of your sound. Perfect for all kinds of studio use, from mixing and mastering, to single tracks and instuments. Using a lookahead brickwall peak limiter, along with a level automater, Maximal can make some headroom, and push your sounds loud.

Tracktion v7.1.1 x86 x64 WiN MAC LiNUX

Team R2R | 07 May 2016 | WiN: 25.7 MB | LiNUX: 8.4 MB | OSX: 14.3 MB

The latest version of our powerful, single-screen music recording app is the largest upgrade we’ve ever offered. While maintaining the simplicity and immediacy of earlier versions, T7 provides a more dynamic interface with new features designed to save time and screen space. Innovative editing tools provide new ways to create, organize and manipulate audio, MIDI and step clips while new plugin search and automation features boost creativity and speed work flow.

Harpsichord KONTAKT WiN AU

DiSCOVER | May 08 2016 | 644 MB

Kontakt: 128 MB • WiN VSTi x86 x64: 25 5MB • MacOSX/AU: 260 MB

Harpsichords are a form of keyboard instrument with a history as far back as the Renaissance, predating the modern piano by several hundred years. The only problem with the design of the harpsichord was that it lacks the ability to create dynamics naturally. Instead, different stops must be used to achieve different timbres and volumes, like on organs. This particular harpsichord is a hand-built modern replica based on designs from the Baroque period and features two different stops.

Glockenspiel KONTAKT VSTi AU

DiSCOVER | May 08 2016 | 358 MB

Kontakt: 185 MB • WiN VSTi x86 x64: 111 MB • MacOSX/AU: 60 MB

The ear-ringing (not bell-ringing) descendant of the carillon is the not-very-intimidating-looking Glockenspiel. However, one must beware its ability to surpass even the piccolo in pain due to high notes. Our glock is slightly more on the mellow side, but, recorded up close, provides a great rich fill of the harmonics, not to mention a lovely quiet end for those cute songs about winter and snow fall when a celeste just won’t do. Unlike most sampled glocks, you get to hear the full natural impact of the mallet and get a full range of dynamics. If you don’t like the impact, just add a high-pass filter, we won’t mind.

Dan Tranh KONTAKT VSTi AU

DiSCOVER | May 08 2016 | 821 MB

Kontakt: 170 MB • WiN VSTi x86 x64: 430 MB• MacOXS/AU: 221 MB

The Dan Tranh is a traditional zither originating from Vietnam. It is considerably longer than its European and American cousins, and is also Tuned as a Pentatonic Instrument. 16-17 metal strings run the length of the instrument with bridges halfway for each string. In traditional performance on this instrument, one hand plucks the strings on one side of these bridges using plectrums (finger-picks) and the other hand bends the pitches of the notes as desired on the other side of the bridges. This allows an incredibly dynamic and unique performance which is very hard to sample and replicate.